Author: travel67

Manta Scramble, Ishigaki Island, Okinawa

This month it’s manta season off the coast of Ishigaki. At the dive spot known as Manta Scramble there is a good chance of seeing one or even several mantas on your dive. I visited Ishigaki about 6 years ago while researching the travel feature Southern Comfort — Life on Ishigaki Island. Although I dove with the mantas, at that time I didn’t have an underwater camera system. And so many years later I returned to Ishigaki with all my gear to do three days of diving and to photograph a local festival. Diving with mantas was far easier than my recent trip to photograph the underwater ruins and hammerhead sharks of Yonaguni. Yonaguni had strong currents, heavy swells, and cold water, it was demanding diving even without a camera rig. Diving with mantas on Ishigaki is possible for snorkelers and less experienced divers. On my trip the biggest danger was sunburn. There are several rules for manta diving. Don’t touch, don’t chase, don’t exhale bubbles into their gills, and stay with your guide. The …

In the Studio – Reiko

An image from a shoot last month with Reiko Winchell, makeup by Summer Johnson. If you’re looking for studio or location photography whether you’re a model needing to update your portfolio, a family wanting some keepsake images, or a couple celebrating an engagement  please check out the sessions page on the blog or website.

Karate Masters Portrait Project – Masakazu Kinjo 9th dan Uechi ryu Karate and Ryukyu Kobudo

Another great opportunity to meet a local legend, shooting Masakazu Kinjo for the Karate masters portrait project. 9th dan in Uechi ryu karate and Ryukyu kobudo he can clearly handle himself with or without weapons. Luckily he’s a friendly guy who laughs easily and is eager to share his knowledge and passion for the martial art he loves. Kinjo sensei’s weapon of choice is the pocket nunchaku. Made of three short pieces rather than the standard two long pieces, Kinjo whirls it around his body with ease and then snaps it out towards you like a cobra strike.

Photographer Jeremy Sutton-Hibbert

After photographing Fuji Rock Festival, I managed to meet up with my friend Jeremy Sutton-Hibbert in Tokyo. We’ve been having these brief rendezvous over coffee for the best part of a decade. We’d discuss photography, our lives in Japan, assignments and the state of the world. I’d amuse Jeremy with tales of shooting Yakuza bottoms, and he’d inspire me with his images of whaling, Romani gypsys and Japanese cultural icons. A few days after our last meeting, Jeremy and his family moved back to Glasgow, Scotland. He doesn’t need me to wish him luck with his career, but I’ll continue to follow his adventures, albeit from a little further afar.

I am photographer, hear me tweet.

For those who like their information in under 140 characters, I have now set up a Twitter account. I’d stayed clear of Twitter until now, with the view that people didn’t need to know what kind of soup I’d just eaten or that my dog had peed on the floor. I have since been told that Twitter is a very powerful tool for professionals, you just have to know how to use it. Following the advice of my photographic compatriots I shall add my occasional tweets to the 24-hour dawn chorus that is Twitter.

Typhoon Bolaven – Huffed and puffed, but the house didn’t fall down.

After reports that it might be the strongest typhoon in more than a decade, Typhoon Bolaven was somewhat anticlimactic. This is a good thing. Fewer blackouts, fewer downed trees, fewer injuries. I went outside and got a few photos of the waves on Monday morning, but it became clear that what people really wanted to see were images of Bear conducting her lab reports. I didn’t see it at first, but a friend pointed out that the wave in the photograph below looks like a screaming banshee.

Fuji Rock Festival – Acumen Magazine

I just received my copy of Acumen magazine with my Fuji Rock Festival images. Great to see they made it the cover feature, and that so many of my photographs were used. The only pic that is not mine, is the top image on the last page which was taken by someone connected to the magazine. I used the Pentax 645D with a 150mm lens the majority of the time, and the Pentax K5 with a 10-17mm fisheye lens for the wide establishing shots. It is quite tricky to shoot using stage lighting as it can change multiple times a second. To get the best shots, use manual exposure and  expose for the light on the artists face rather than the dark backgrounds or the bright flashing lights.