Episode 10 in the series Sensei: Masters of Okinawan Karate is now online on YouTube and on Bujin.tv
Thank you to all those who helped film, edit, transcribe, translate, and check this episode. Thank you also to the sponsors and supporters of the series. If you’d like to learn more about the series, please click here.
Fusei Kise, Isao Kise and the OSMKKF-USA
Jerry Figgiani – Shorin Ryu Karate Do International
Anderson’s Crocodile Newt by Shawn Miller of Okinawa Nature Photography in the November 2020 issue of National Geographic.
This post is to highlight the amazing work that photographer Shawn Miller is doing to document endangered Okinawan wildlife. Shawn has lived most of his life in Okinawa, and has dedicated himself to capturing its beauty and protecting its creatures.
It is a fantastic for Shawn to be able to get one of his images of Okinawan wildlife into this month’s National Geographic. The fact that the image is also selected by Canon to showcase what you can achieve with their equipment, is a great testament to Shawn’s skill.
For most, this would be a lifetime achievement, but this isn’t a first for Shawn. His photographs of Okinawan wildlife were used in May 2016, October 2017, and August 2019. When you consider that Canon could pick any photo, of any species, by any photographer in the world, the fact that four shots in less than five years were taken by Shawn is a massive achievement.
Yesterday, October 12th 2020, Tetsunosuke Yasuda passed away. A karate master and a true gentleman. I photographed him in 2014 when he was a sprightly 88 years old and he showed off his incline sit-ups while holding a weight above his head. Our paths crossed several times, as for a decade I rented a house through his Yasuda Jutaku housing company. Each time we met he was such as kind, generous man full of praise and encouragement for our project to document Okinawan karate.
When I decided to create a book of the first 58 karate masters I’d photographed, I placed Yasuda Sensei at the center on the front cover . A lovely lovely man, and the international karate community will miss him dearly.
Chieko Toma is a master of Ryukyu dance. On Sunday I had the chance to photograph her performing in traditional dance costumes.
The next black and white costume comes from Haebaru Town and I believe is worn for performance of the folk dances, rather than the court dances.
The next outfit is the karate gi with a hakama-style piece over the lower half. This was worn to perform the go shin no mai dances of self defense.
As well as a master of Ryukyu dance, Toma Sensei is a master of Goju-ryu karate, and a student under Tetsuhiro Hokama Sensei.
If you look at the behind the scenes shot, and you’ve been following the Karate Masters Portrait Project since 2012, you’ll notice the change in the number of lights used to create the portrait.
In all the above shots of Toma Sensei I used two lights. James is holding one Profoto B1 strobe with a white softlight reflector (AKA a beauty dish) while Toma Sensei’s granddaughter is holding a second Profoto B1 strobe with a 1×4′ strip softbox which provides a rim light. In all the shots for the Karate Masters Portrait Project I only use the single strobe James is holding. In the Ryukyu dance portraits, the extra light provides separation from the black background, which is particularly useful if the person has dark hair.
Before the very first shoot with Taira Sensei and Arakaki Sensei in 2012, I had decided to use just a black background and a single strobe to keep things simple and easily repeatable. Since then, all portraits for the project have been shot this way. This meant that although I had two lights available, for the final few karate shots with Toma sensei I turned off the second light and shot them solely with the beauty dish.
A huge thank you to Hokama Sensei for the introduction, to Toma Sensei and Seki Sensei for letting me take their portraits (Seki Sensei’s photos in the next blog post!) to Rumiko Sunagawa for kimono fitting, and Toma’s granddaughter Harune for assisting with the lighting, and Hirokazu Narumi for the BTS shots (and the translations of Hokama Sensei’s upcoming interview).
Another great experience for James Pankiewicz and me. Even after 20 years living in Okinawa, there are so many aspects of its culture to discover.
On July 15 2020 I visited Shuri Castle to see the progress with reconstruction.
As you approach the castle, nearly everything appears to be as it was before the fire. The Shureimon gate is intact, locals were praying at the Sonohyan-utaki, and the stone walls and archways of the Kankaimon gate all bore no evidence of the disaster. At the ticket booth in the Shichi-nu-una courtyard you can purchase a discounted entry ticket, but it only as you pass through the Houshimon ticket gate into the main courtyard you are hit with the vast change to the beloved castle.
Where the main Seiden once stood there is now a beige prefab building. Dozen of bags of rescued materials sit on the red and white stripes of the courtyard.
The two dairyuchu great dragon pillars that survived the fire now stand protected by scaffolding.
Lying on the courtyard are small piles of charred rubble, and the remains of the dragon heads that once crowned the castle roof.
You can now walk to the rear of the courtyard, and up on to the walls to a spot called Agari no azama. From there you can look back on the castle walls and structures.
The thick stone walls and the foundations of the castle remain. It can and will be rebuilt. As a tourist attraction it is still a fascinating place to explore, and well worth the visit.
I’m excited about the reconstruction of Shuri Castle. It gives the chance for a new generation of Okinawan craftsmen to learn the traditional skills needed to work on such as large prestigious project.
I look forward to the day when the great dragon pillars are released from their shackles, and the vermillion castle retakes its place as the heart of the Ryukyu Kingdom.
On May 19th 2020 six Okinawan Karate Masters were recognized by the prefecture as an Intangible Cultural Asset Holder in the Field of Okinawan Karate and Martial Arts with Weaponry. I am honored to have photographed them all for the Karate Masters Portrait Project over the past 8 years. Congratulations to Iha Sensei, Kikugawa Sensei, Maeshiro Sensei, Nakahodo Sensei, Iha Sensei and Takara Sensei!
I’m also happy to announce that episode 8 in the YouTube series Sensei: Masters of Okinawan Karate is now online.
I’m really proud of all the work that went into this episode, the team that helped create it, and the sponsors and supporters of the series. Iha Sensei speaks a mix of Japanese, Okinawan (a separate language not a dialect of Japanese), and English. It made transcriptions and translations a challenge, and there were even a few corrections after it went live, after getting some extra feedback from Nakasone Sensei.
Please like, comment, and share the videos so that the YouTube algorithm introduces it to others.
Tsuguo Sakumoto, 7 times consecutive world champion, and coach to 9 world champions including Arata Kinjo, Takuya Uemura and Ryo Kiyuna. He is 9th-dan in Ryuei-ryu karate. Ryo Kiyuna is one of Japan’s best chances to win a gold medal at the Tokyo 2020 (2021) Olympics so Sakumoto Sensei is more than ever a very busy man. Luckily he liked the portraits of him I shot in 2014 so we managed to get to interview him last September for the Sensei: Masters of Okinawan Karate Series.
Before shooting studio portraits of Ishiki Sensei and his son for the Karate Masters Portrait Project we visited Itokazu Castle ruins to get some location shots.
Ishiki Sensei studied kobudo with Shinpo Matayoshi alongside students including Gakiya Sensei and Yamashiro Sensei. Studying exclusively with Matayoshi Sensei meant they delved deeper into the different weapons, so along with the more common bo (staff) and sai, they learned weapons such as nunchaku, sansetsukon (3 piece nunchaku) and the mini sansetsukon (which Masakazu Kinjo Sensei once described as the Saturday night special).
Always fascinating to have the opportunity to shoot with the karate masters outside the dojo, and I think I came away with some interesting new shots.
Images taken with the Pentax 645Z, 35mm, 55mm, 90mm lenses. Profoto B1 strobe with Softlight reflector.
In the latest video in the series I’m making about karate, 83-year-old, 10th-dan Shorin-Ryu, Doug Perry talks about his life in the Marine Corps and martial arts, and his love of Okinawa. Also includes a conversation with his son Colonel Jason Perry.
Thank you to all the sponsors and supporters you’ll see listed at the end of the video I couldn’t do it without you! Please get in touch if you’re able to help with this project!