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New arrival – Pentax 645Z

Another box...

Another box…

It’s been a very busy few weeks and things aren’t slowing down. On Saturday night the new Pentax 645Z arrived. Bear had been hoping that box was filled with dog biscuits, so was somewhat disappointed at the mundane, inedible contents.

I got to take a few pics the following day while teaching a fundamentals workshop.

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June 2014 Fundamentals Class

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Okinawa Woman in Kimono

Run!

Run!

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Shisa Bank?

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Capa Zanpa

I’ll be doing many shoots over the coming weeks, and will put up a full review of the camera. Busy, busy, busy.

Tetsunosuke Yasuda, 10th Dan, Okinawa Goju-ryu Karate – Jundokan.

Tetsunosuke Yasuda, 10th Dan, Okinawa Goju-ryu Karate - Jundokan.

Tetsunosuke Yasuda, 10th Dan, Okinawa Goju-ryu Karate – Jundokan.

Although 88 years old, Tetsunosuke Yasuda is still training in karate. Before the portrait session, he held a 10 kilo barbell plate behind his head then started doing sit-ups. Yasuda sensei is one of the few 10th dan masters of karate. It was great to meet him, and an honor to take his photograph. He was smiling almost the entire session. A real gentleman.

Tetsunosuke Yasuda, 10th Dan, Okinawa Goju-ryu Karate - Jundokan.

Tetsunosuke Yasuda, 10th Dan, Okinawa Goju-ryu Karate – Jundokan.

Tetsunosuke Yasuda, 10th Dan, Okinawa Goju-ryu Karate - Jundokan.

Tetsunosuke Yasuda, 10th Dan, Okinawa Goju-ryu Karate – Jundokan.

Tetsunosuke Yasuda, 10th Dan, Okinawa Goju-ryu Karate - Jundokan.

Tetsunosuke Yasuda, 10th Dan, Okinawa Goju-ryu Karate – Jundokan.

Tetsunosuke Yasuda, 10th Dan, Okinawa Goju-ryu Karate - Jundokan.

Tetsu Gima trains with Tetsunosuke Yasuda, 10th Dan, Okinawa Goju-ryu Karate – Jundokan.

Tetsunosuke Yasuda, 10th Dan, Okinawa Goju-ryu Karate - Jundokan.

Tetsunosuke Yasuda, 10th Dan, Okinawa Goju-ryu Karate – Jundokan.

 

Back in Blue

School's in

School’s in

You can dive in Okinawa all year around, but from July to October the water is warm, and rough seas are less frequent. The occasional typhoon does disrupt the fun, but these months are perfect for underwater photography. It’s going to be a fun summer.

Mermaid's fingerprints

Mermaid’s fingerprints

Tetsu Gima, Hanshi 9th Dan, Okinawa Goju-ryu Karate – Jundokan

Tetsu Gima, Hanshi 9th Dan, Okinawa Goju-ryu Karate - Jundokan

Tetsu Gima, Hanshi 9th Dan, Okinawa Goju-ryu Karate – Jundokan

The second sensei in the recent trifecta of Jundokan karate masters. Tetsu Gima, Hanshi 9th Dan, Okinawa Goju-ryu Karate – Jundokan.

Tetsu Gima, Hanshi 9th Dan, Okinawa Goju-ryu Karate - Jundokan

Tetsu Gima, Hanshi 9th Dan, Okinawa Goju-ryu Karate – Jundokan

On a technical note, I now use a 20.5″ Profoto White Softlight Reflector rather than a generic 16″ silver beauty dish. This doesn’t change the look of the images, but gives better control over specular highlights and a wider spread of light.

Tetsu Gima, Hanshi 9th Dan, Okinawa Goju-ryu Karate - Jundokan

Tetsu Gima, Hanshi 9th Dan, Okinawa Goju-ryu Karate – Jundokan

Tsuneo Kinjo 9th Dan & Tetsu Gima 9th Dan Okinawa Goju-ryu Karate - Jundokan

Tsuneo Kinjo 9th Dan & Tetsu Gima 9th Dan Okinawa Goju-ryu Karate – Jundokan

Toy Stories – Barbie

Barbie fashion doll by Mattel, Inc.

Barbie fashion doll by Mattel, Inc.

Barbie an American Icon, based on a German toy (Bild Lilli) and manufactured in Japan. The original 1959 Barbies were brunette as well as blonde, and had an even slimmer waist than the modern doll. Interestingly, the original Barbies were always glancing to the side, but from 1971 she looks straight ahead.

Barbie fashion doll by Mattel, Inc.

Barbie fashion doll by Mattel, Inc.

Tsuneo Kinjo Hanshi 9th Dan Okinawa Goju-ryu Karate – Jundokan

Tsuneo Kinjo Hanshi 9th Dan Okinawa Goju-ryu Karate - Jundokan

Tsuneo Kinjo Hanshi 9th Dan Okinawa Goju-ryu Karate – Jundokan

A busy couple of days shooting at the Jundokan dojo in Naha City. On Thursday I photographed 9th dan masters Tsuneo Kinjo and Tetsu Gima. The following day I photographed 88-year-old 10th dan Tetsunosuke Yasuda.

Tsuneo Kinjo Hanshi 9th Dan Okinawa Goju-ryu Karate - Jundokan

Tsuneo Kinjo Hanshi 9th Dan Okinawa Goju-ryu Karate – Jundokan

Tsuneo Kinjo Hanshi 9th Dan Okinawa Goju-ryu Karate - Jundokan

Tsuneo Kinjo Hanshi 9th Dan Okinawa Goju-ryu Karate – Jundokan

Tsuneo Kinjo 9th Dan & Tetsu Gima 9th Dan Okinawa Goju-ryu Karate - Jundokan

Tsuneo Kinjo 9th Dan & Tetsu Gima 9th Dan Okinawa Goju-ryu Karate – Jundokan

Tsuneo Kinjo 9th Dan & Tetsu Gima 9th Dan Okinawa Goju-ryu Karate - Jundokan

Tsuneo Kinjo 9th Dan & Tetsu Gima 9th Dan Okinawa Goju-ryu Karate – Jundokan

FAQs – Will you buy the Pentax 645Z? Do you recommend that I buy one too?

Pentax 645Z (image by Ricoh / Pentax )

Pentax 645Z ( image by Ricoh / Pentax )

I’ve been asked the same couple of questions several times over the last few weeks: Will you buy the Pentax 645Z? followed by  Do you recommend that I buy one too?

Will you buy the Pentax 645Z?

Short answer: Yes

Long answer: Yes. The 645Z will be my main camera, and the 645D will become the spare body.

The increase in megapixels from 40 to 51.4  does have some advantages, although no client has ever said to me that 40 megapixels wasn’t enough. Future clients, however, particularly those advertising travel destinations on posters or billboards may desire the extra pixels. For exhibitions bigger is usually better, the B0 (39×56) prints at my Matsuri Exhibition in Tokyo were amazing, and later this year hopefully I’ll be exhibiting several A1 (23×33) prints in Naha, Okinawa. Above all, using the best equipment available to me is important for The Karate Masters Portrait Project. The goal of the project is to create a historical record of these martial arts masters. I no longer study karate, but striving for the best, and pushing the boundaries incrementally, is a mindset that these sensei and I share.

Seiyu Nakamura, photographed as part of The Karate Masters Portrait Project

Seiyu Nakamura, photographed as part of The Karate Masters Portrait Project

The faster image sensor will be the biggest improvement when working with the camera in the field. Chimping with the 645D is slow, especially if you take a sequence of shots. Being able to quickly check focus and exposure will enable me to get a few more keepers when working under pressure. The ability to work at higher ISOs will be useful in low light, or when I need to use a fast shutter speed.

The tiltable LCD panel and live view are features new to a Pentax 645. Only hands-on experience will teach me if these are valuable, but I imagine there will be times when being able to focus accurately with live view before taking the shot will be advantageous.

Do you recommend that I buy one too?

Short answer:  If you want to, of course. Even better do it using the affiliate links  645Z at B&H or Amazon Japan and I’ll be very grateful.

Long answer: Is it the right camera for you? Is it the camera you need? To be honest, I’ve no idea.

If you’re using the camera as a tool then you have to determine if it’s actually the right tool for the job. If you need a 50+ megapixel camera, the 645Z is by far the cheapest option on the market. If you need a rugged, weatherproof 50+ megapixel camera system the Pentax 645Z is probably the best money can buy.

If you’ve already invested in the Pentax 645 system than this is an obvious choice, and it’s at a lower price than the 645D was when released.

I imagine the 645Z will also be tempting for those currently shooting landscapes and portraits with the Canon 5D Mark III or the Nikon D800E. The jump in image quality may be enough to make some make the switch. I have a feeling that the 645Z with the increased ISO range would also be a fantastic high-end wedding camera.

There are some things the 645Z can’t do. If you need more than 3 frames per second (composite shots of a snowboarder flying over a jump) this is the wrong camera. Comparing the 645Z with the Nikon D3X or Canon EOS-1D X, is not sensible as although they have similar prices, they are designed for very different jobs.

The 645 system lenses are excellent, but there are some lenses you simply don’t have available to you including fish-eyes, fast long telephotos, (new) leaf shutter lenses, and tilt shift lenses. If your current workflow is based around any of these lenses then you should  check out other cameras.

Can your back take the strain? The 645D or Z is large and heavy. The lenses are similarly large and heavy. Not a problem if your shooting in the studio or from the back of a car, but it does make it a challenge if you’re using it all day in the field.  If I’m going out shooting in natural light, maybe I’ll use the Lowepro 200 bag, and inside place the 645D body with the 25, 55 and 90mm lenses. This comes to 8 kilos / 18 pounds.

A photographer's workout gear.

A photographer’s workout gear.

Add in the 300m lens (1.5kg), and  another 645 body (1.5kg)  for redundancy, and you are looking at 11 kilos. Add extra batteries,  chargers, a liter of water etc. and you are getting close to 15 kilos (33 lbs). I have friends who will laugh at this, because they strap on three times as much weight, then HALO jump from a C-130 or march across Helmand Province. However, carrying heavy camera gear can still be exhausting, and there are times when a smaller sensor, a smaller body, and smaller lenses just makes sense. The Pentax K3 with a pancake lens comes in under 900 grams, and the waterproof WG-II is less than 200. Again it comes back to what is the right tool for job.

Ricoh / Pentax WG-4

A far better choice for a day at the beach – Ricoh / Pentax WG-4

 

As I don’t know what you want or need, I can’t claim to know what is the right camera for you. Staff at a camera store can discuss your needs and will be able to give better advice. Staff at a reputable camera store will hopefully steer you to the best camera for you, rather than the one that gives them the most profit.

Bell Boeing V-22 Osprey at Futenma Flightline Festival

V-22 Osprey at Futenma Flightline

V-22 Osprey at Futenma Flightline Festival

Military bases cover approximately one fifth of the main island of Okinawa. The most unpopular of the bases is Futenma, and the V-22 Osprey is its most controversial aircraft. Once a year, however, the base opens its gates to all for the Futenma Flightline Festival.

V-22 Osprey at Futenma Flightline

V-22 Osprey at Futenma Flightline Festival

There were plenty of Americans and local nationals checking out all the different planes and helicopters on display. There was a lot of interest in the Ospreys, which most people had never seen up close. Posters on the sides of the aircraft showed images from humanitarian missions.

V-22 Osprey at Futenma Flightline

V-22 Osprey at Futenma Flightline Festival

Of course, the relocation of Futenma, and the military burden placed on Okinawa is a complex and contentious issue.  I’ve photographed several anti-base protests, so it was interesting to see another viewpoint, or at least the other side of the barbed wire fence.

V-22 Osprey at Futenma Flightline

V-22 Osprey at Futenma Flightline Festival

Seiyu Nakamura – 10th Dan Okinawa Dentou Shidokan Karate and Kobujutsu

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Seiyu Nakamura, 10th Dan Okinawa Dentou Shidokan Karate and Kobujutsu at his dojo in Kochinda, Okinawa, Japan.

Seiyu Nakamura is a master of traditional shidokan karate and kobudo. More than a decade ago, Nakamura-sensei was my briefly my karate instructor. It was great to meet each other again, although he did note that we’d both got a little grayer over the years.

Seiyu Nakamura, 10th Dan Okinawa Dentou Shidokan Karate and Kobujutsu at his dojo in Kochinda, Okinawa, Japan.

Seiyu Nakamura, 10th Dan Okinawa Dentou Shidokan Karate and Kobujutsu at his dojo in Kochinda, Okinawa, Japan.

Seiyu Nakamura, 10th Dan Okinawa Dentou Shidokan Karate and Kobujutsu at his dojo in Kochinda, Okinawa, Japan.

Seiyu Nakamura, 10th Dan Okinawa Dentou Shidokan Karate and Kobujutsu at his dojo in Kochinda, Okinawa, Japan.

Seiyu Nakamura, 10th Dan Okinawa Dentou Shidokan Karate and Kobujutsu at his dojo in Kochinda, Okinawa, Japan.

Seiyu Nakamura, 10th Dan Okinawa Dentou Shidokan Karate and Kobujutsu at his dojo in Kochinda, Okinawa, Japan.

Once again after shooting the black background portraits indoors, I switched the plug-in 7a generator for the battery powered B1, and we went outside. A huge storm was quickly approaching, but we managed to get a few shots in the sugar cane fields before the heavens opened.

Seiyu Nakamura, 10th Dan Okinawa Dentou Shidokan Karate and Kobujutsu at his dojo in Kochinda, Okinawa, Japan.

Seiyu Nakamura trains with the bo staff outside his dojo in Kochinda, Okinawa, Japan.

Angels and Demons – Classical Dancers of the Apsara Theatre

Classical Dancers of the Apsara Theatre, Siem Reap, Cambodia

Classical Dancers of the Apsara Theatre, Siem Reap, Cambodia

Angkor Village’s Apsara Theatre has evening performances of classical dances. I asked the manager if I could take a few portraits after the artists had finished their show, and they said okay.

Classical Dancers of the Apsara Theatre, Siem Reap, Cambodia

Classical Dancers of the Apsara Theatre, Siem Reap, Cambodia

To make things a challenge, I had about 5 minutes to photograph everyone, the external wall of their changing room to use as a background, and the only Khmer I knew was hello and thank you.

Classical Dancers of the Apsara Theatre, Siem Reap, Cambodia

Classical Dancers of the Apsara Theatre, Siem Reap, Cambodia

I used the Profoto B1 to illuminate the darkness, and my tuk tuk driver as light stand and translator.  I asked them to look into the light, and captured a few quick pics.

Classical Dancers of the Apsara Theatre, Siem Reap, Cambodia

Classical Dancers of the Apsara Theatre, Siem Reap, Cambodia