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Senior Shoot – On Location

As well as shooting in the studio, Kevin and I went outdoors in search of some locations that would show he’d spent his formative years in Okinawa. By the end of the day we had a great selection of images that I think Kevin’s family will be very pleased with.

As for Kevin I wish him all the best after he leaves Okinawa. He’s heading back to the States to study pre-med at Liberty University, but I’m sure he’ll always have great memories of island life.

Kevin - Senior Shoot on location in Okinawa

Kevin - Senior Shoot on Okinawa

Kevin - Senior Shoot on Okinawa

Kevin - Senior Shoot on Okinawa

Kevin - Senior Shoot on location in Okinawa

Kevin - Senior Shoot on location in Okinawa

Kevin - Senior Shoot on location in Okinawa

Senior Shoot – In the Studio

A few months ago, a friend asked me if I was available to do a senior shoot. My initial thoughts were that he wanted me to photograph his elderly relatives, but it soon became clear that one adage still holds true, England and America are two countries separated by a common language.

The thing is that, in England, we don’t have proms, high school graduation ceremonies, homecoming balls, or senior photo shoots.  In many ways it’s strange that we don’t celebrate these glory days, and taking a series of portraits of someone who is about to leave home and make their way in the world is a great idea.

I discussed with my friend and his son Kevin the kind of photographs they’d like, and we decided that we’d shoot a selection of images both in the studio and on location around Okinawa.  Here are a few of the shots we got in the studio.

Kevin - Senior Shoot on Okinawa

Kevin - Senior Shoot on Okinawa

Kevin - Senior Shoot on Okinawa

Kevin - Senior Shoot on Okinawa

Kevin - Senior Shoot on Okinawa

Kevin - Senior Shoot in the Studio

Go Low

Took some photos of my friend’s twins last week. A quick photo tip: when photographing children it is a good idea to get down to their level. Thanks to Kirsten and Shiro for letting me spend the afternoon with them and their beautiful girls.

Get down low when photographing children

Smiles at the beach

Even in the studio it helps to shoot from below the child's eye level

In the studio – Clarissa

In the studio - Clarissa

In the studio - Clarissa

This image has an 80’s vibe to it with the off the shoulder shirt and big hair out to one side. The large octabox gives a really soft light, and when positioned right next to the model, the light wraps around the face producing a soft portrait.

Model – Clarissa Rendon
Make up – Summer Johnson
Hair – Courtney Valimont

Pentax 645D
Pentax 67 105mm
Pentax 67 to 645 adapter

Lighting – Black velvet on Skylite background. Octabox powered by Profoto Pro-7a as the main light. 2 medium size rectangular softboxes behind that were adding rimlight (powered by Profoto compacts). Strobes triggered with PocketWizards.

Suzuki v Coach – A Demonstration of The Pauli Exclusion Principle

Japanese Car Insurance

The Swift after its encounter with a coach

The Pauli Exclusion Principle states that no two objects can occupy the same place at one time. Unfortunately, two weeks ago, an Okinawan coach driver tried to bend the rules of quantum mechanics by attempting to move his vehicle through mine.

The driver attempted to merge into the space in front of me while I was stationary on Route 58 in Nago. As his back end came closer and closer I beeped my horn. The bus driver continued on, gouging the front bumper and right wing of my car and then stopped.

It was just a minor scrape and nothing serious, both the bus driver and I gave statements to the police, exchanged insurance information and went on our separate ways. I talked to my insurance company, but found that due to end of year vacation nobody could look at my car until Jan 4th.

Dropped off my car today, picked up a loaner, and everything will get repaired.

The one issue that does remain is exactly whose insurance will be paying for the repairs. You might assume that the bus company’s insurance would pay for everything, but in Japan blame is rarely attributed entirely to one driver. If the discussion between insurance companies results in me being given a token 10% of the blame, my insurance will pay for 10% of the damage to my car and the bus, and next year’s insurance premium will go up.

One positive note is that so far I’ve managed to use my temperamental Japanese skills to converse with a bus driver, police, insurance agents and mechanics. After more than a decade in Japan it’s quite nice to know that I can make myself understood (eventually) even if I am butchering the language as I do it.

Men in Uniform

Marine Corps Blue Dress Uniform

Marine Corps Blue Dress Uniform

Navy Service Dress Uniform

Navy Service Dress Uniform

Marine Corps Service Uniform

Marine Corps Service Uniform

Navy Working Uniform

Navy Working Uniform

Marine Corps Combat Utility Uniform

Marine Corps Combat Utility Uniform

This was a quick series of portraits of military uniforms I shot a couple of weeks ago. As a civilian it’s fascinating to get a brief glimpse into the lives of others, even if it’s just noting the attention to detail they have when putting on their various uniforms and the pride they have from wearing them. A big thank you to D and Ryan for one of my favorite studio shoots of the year.

New Year, New Camera

Pentax K-5 body

Pentax K-5 body

Pentax 10-17 fisheye

Pentax 10-17 fisheye

For many years I’ve been putting off shooting underwater. My Optio W60 is a great waterproof compact camera, but it doesn’t have the depth rating for scuba diving or the image quality for professional use.

I looked into an underwater housing for the 645D, but there were none available off the shelf and a custom built housing would be many thousands of dollars. (It would also be like scuba diving with a submarine.)

Ikelite, perhaps the biggest manufacturer of underwater housings, has however just released a housing for the Pentax K5/K7 cameras.

For many reasons (that I’ll explain in future posts) I decided to buy a K5, a 10-17mm fish-eye lens and the Ikelite housing. The housing is on its way from the States as we speak, while the K5 and lens arrived a couple of days ago.

Bear’s friend Ref posed for a few shoots so I could test out the fish-eye lens.

Fish-eye on Ref  (K-5 with 10-17mm)

Fish-eye on Ref (K-5 with 10-17mm)

Pentax 10-17mm fish-eye lens

Fish-eye on Ref (K-5 with 10-17mm)

Underwater photography is going to be an exciting challenge. Already have plans to shoot a lost city, a few sharks, and the occasional mermaid.