On Friday afternoon there was a small cos-play event in Mihama. I’ve shot much bigger gatherings in Tokyo and Kyoto, but anytime you get people dressing up as anime or manga characters there’s going to be some good photographic opportunities. It was bright and sunny at the time I was shooting so the main challenge was finding patches of open-shade that had a clean, uncluttered background.
Another very busy couple of weeks. Just got back from three days shooting Fuji Rock Festival for ACUMEN magazine. The feature is about the British bands playing at the festival, these included The Stone Roses, both Gallagher brothers, The Kooks, Ocean Color Scene, Ray Davies, The Specials, The Heartbreaks, Spiritualized, Elvis Costello, Radiohead, and my personal favorite of the festival, a new soul artist called Michael Kiwanuka. Don’t want to post images of the British acts before they go to print, but here are a couple of shots of non-UK performers Jack White (above) and Toots and Matayls (below). I had a fantastic time. This was partly because it was the first rain-free Fuji Rock Festival in several years, but mainly due to the fact that I met many great people on the trip. To all the photographers, security, organizers, VIPs, artists and festival goers, thanks for making it a memorable few days. My computer is currently wheezing away under the weight of so many cool images. Update: Magazine published you can see the …
9th Dan Kounanryu Karate and Kobudo Master Jyosei Yogi, photographed at the Budokan national martial arts center in Naha, Okinawa.
A month ago I worked with writer Julian Ryall on a piece about how the remains of the war dead found on Okinawa are identified and hopefully returned to their family graves. Photographing the skeleton of a dead Japanese soldier, and shards of bones in various trays was somber, but at that moment you are working and concentrating on getting images. Only later, when you’ve packed your gear away and returned to everyday life do you ponder the deeper meanings of what you’ve witnessed. On the cover of the Number 1 Shimbun is an image I shot of Gushiken-san a volunteer that has devoted his life to returning the remains of the fallen to their loved ones. Inside are a couple more images and the feature by Julian Ryall.
Alexis, one of the riding instructors, recently got married to Michael. They have plenty of great wedding photos, but thought that they’d like to make the most of the Okinawan beaches and her passion for horses. After shooting the two of them cantering through the surf I took some quick “trash the dress” style images. I really like the look of this final shot, but from a story telling perspective you probably shouldn’t end the series with a shot of the bride gliding off into the distance without her husband! (Trash the dress – okay, trash the military dress uniform – not okay.) A final thanks to the clients Alexis, Michael, Eve and Madie. Also to Summer Johnson for getting up way way before dawn to start makeup, and to Shawn Miller as my faithful assistant.
A fun shoot last Sunday with Alexis, Eve and Madie, three instructors from the Mihara Horse Club of Okinawa. I’ve hired horses from the club for model shoots in the past, so it was great to get the instructors in front of the camera. One of the advantages of photographing riding instructors, is that they will happily gallop along the beach without looking terrified or ending up bruised, battered and litigious. After getting some shots of the three ladies riding I took some portraits of them with the horses. Although it had only just turned 8AM, the Okinawan sun was already strong enough to make people squint and leave strong shadows. I brought along a large Ezylite diffuser which creates a patch of open shade in which I can shoot. Alexis’s husband Michael and my assistant Shawn were press-ganged into holding the diffuser up above their heads while I shot. A great morning with lovely people and horses. On a technical note. If you’re photographing galloping horses you’re going to need to take a lot …
Four images from a studio shoot with Airi. Makeup artist Summer Johnson started off with a natural look then moved to something more glamorous. Then with the addition of a (fake) fur hat and another makeup change Airi rocked a modern take on Davy Crockett. And finally a shot without the hat.
A few behind the scenes photos that James took on the last shoot. You can see the black velvet background I set up behind them and the strobe with beauty dish on a light stand. The strobe is connected to a flash generator which plugs into the wall. This is a much more cumbersome setup than simply using an hotshoe flash but I like the power, recycling time and flash duration I get with the studio gear. I’ve mentioned it before, but when traveling or in the studio it’s great to be able to show the subject you’ve just photographed or the client the image. The large screen on the back of the camera is pretty good for this, but tethering the camera to a laptop (now possible with the 645D) would make this even better (but far more cumbersome). With a clean black background and without the need to do beauty retouching, pretty much what you see on the back of the camera is going to be the final image. Back home I sort …
69 year old Matsubayshi-ryu Hanshi 10th dan Toshimitsu Arakaki. And as a final treat Hanshi 10th dan Toshimitsu Arakaki training with Hanshi 10th dan Yoshitaka Taira
These are the first images in the Karate Masters Portrait Project. The idea is to document the hanshi (grand masters) of karate. I wish I had started this project several years earlier before some of the hanshi passed away. Hanshi 10th dan Yoshitaka Taira Images are shot with the 645D which means I have fantastic detail, important for an archival project. I used a portable black velvet screen to have clean background and then used a single studio light with a beauty dish for illumination. I plan to shoot all portraits with the same setup.
