All posts filed under: On the bookshelf

On the Bookshelf – Henri Cartier-Bresson Photographer / A Propos de Paris

Last Christmas both my parents and my brother gave me books on photography by Henri Cartier-Bresson. It turns out that by blogging about what is on my bookshelf, they were able to deduce what wasn’t there. Henri Cartier-Bresson: Photographer is a comprehensive collection of Cartier-Bresson’s work spanning the years 1926 to 1979 and includes images from France, Mexico, China, Russia, and even Japan. In Henri Cartier-Bresson: À Propos de Paris he delves deeper into his relationship with Paris. One aspect of his images I find fascinating is his ability to get fly-on-the-wall shots where the presence of the photographer is unnoticed or ignored. I have never used Leica cameras, but their compact size would not only make the photographer more maneuverable, I presume, it also reduces the impact the photographer has on the scene. Subjects would have behaved differently for example if he’d used a giant camera like my Pentax 67 that tends to get stared at rather than ignored (Not to mention the rifle-like crack of the Pentax’s shutter). My favorite Cartier-Bresson image can be …

The Americans by Robert Frank

As I mentioned a few weeks ago I thought it would be interesting to talk about a classic photography book with others. There is a Japanese phrase Ju nin to iro which means 10 people 10 colors i.e. we all perceive the world a slightly different way. I’d be delighted to hear how you see the images in the book. For me the cover image of the street car in New Orleans is one of the most powerful. A clear reminder that when Robert Frank made his journey across America in 1955/1956 the divisions between races were very clear. It was December 1st 1955 that Rosa Parks famously refused to give up her seat for a white passenger. The image of the rodeo rider is another of my favorites, what strikes me is just how wiry and sinuous he appears. For me it seems to speak of a time when heroes, and perhaps America in general, were leaner. So there you go, anyone else want to share their thoughts?

On the bookshelf: A Shadow Falls

A Shadow Falls is a impressive book. Impressive in its physical size (nearly 16 x 13 inches). Impressive in its vision (vast African savanas). Impressive in its goals (to memorialize the vanishing natural grandeur of East Africa). The images are stunning. The tritone plates have a mesmerizing quality to them. Although the shots of elephants are perhaps the most famous examples of his work I found the images of the wildebeest migration the most powerful. Enjoy.

(Not yet) On the bookshelf: The Americans by Robert Frank

Over the last year I’ve talked about a few inspirational photography books on my bookshelf. This time, I thought I’d make my discovery of the photographic masters a little more interactive. Would it not be more interesting to read the book at the same time as others? Similar to a book club, but with less Oprah and more photographs. I thought we could start with a book I’ve just ordered for Christmas The Americans by Robert Frank. So if you’re interested please beg, borrow or buy a copy and then I’d love to hear your comments. Exciting stuff.

On the bookshelf: A Camera, Two Kids, and a Camel: My Journey in Photographs

I was given one more photography book for my birthday. I hadn’t mentioned it already as A) it came by sea so only arrived recently, and B) it has a few more words than most photography books so I had to sit down and read it. The book is  A Camera, Two Kids, and a Camel: My Journey in Photographs by Annie Griffiths Belt, a National Geographic photographer who has managed to juggle her career with two kids and a camel. (Something you don’t even see at Cirque Du Soleil.) It would perhaps be best described as an illustrated autobiography. The author talks about her life as a National Geographic photographer and there were several interesting facts or pearls of wisdom along the way. These included: “Assignments in those days (early in her career) averaged three to six months. No assistants. No shot lists. No excuses.”  Photographers were sent to a place after a five minute phone call and then it was their job to find the story behind that city or region and to photograph …

On the Bookshelf: South Southeast & In the Shadow of Mountains by Steve McCurry

Along with the Annie Leibovitz retrospective from my parents, I got two other photography books for my birthday from Seiko, South Southeast and In the Shadow of Mountains both by Steve McCurry. South Southeast is a big book in both physical size (39cm by 29cm) and scope (India, Pakistan, Afghanistan, Sri Lanka, Tibet, Thailand, Cambodia and Burma). It is “a portfolio of the best of Steve McCurry’s photography” and it is simply fantastic. As a coffee table book it will draw oohs and aahs from visitors to you home. For photographers, however,  it is a master class in travel imagery that will make you think more about the shots you take and the places you want to explore. In the Shadow of Mountains is a collection of images taken by Steve over the last three decades in Afghanistan. (Yes it does contain the image of the Afghan girl that appeared on the cover of National Geographic.) I actually prefer that this book focuses on just one country giving me a better feel for the place. Wonderful …

On the bookshelf: Celebrity & Performance

I ordered the book Celebrity and Performance from Amazon months ago but due to delays (or the popularity of Owen Wilson and Ben Stiller) the book only just arrived. It is another interesting tome in “The World’s Top Photographer’s Workshops” series by RotoVision. The ten photographers chosen each capture celebrities in a different way, from the “airport paparazzo” to the “Hollywood A-lister”. Many of my favorite images were black and whites shot by Andy Gotts using a Mamiya RB67 and Kodak Tri-X 400. Amazing.

On the bookshelf – Annie Leibovitz Photographs 1970-1990

In an earlier blog I talked about buying a compendium of Annie Leibovitz photographs only to realize that many of the iconic images I was expecting were in the earlier collection of her work. Last month, for my birthday, I got just what I wanted when I was given the book Annie Leibovitz Photographs 1970-1990. The book is out of print but there are plenty of used copies available on Amazon. There are the famous images of John and Yoko, fantastic shots of the Rolling Stones (they seemed to spend quite a lot of time unconscious) along with images of a young Schwarzenegger, Christopher Walken and self portraits. What is really fascinating is that the books together become greater than the sum of their parts. As images of Jagger, Richards, Schwarzenegger, Walken and Leibovitz appear in both books, you also have a study of aging.  Some have managed to hide the years, while the weathered faces of others reveal a lifetime of hard living that took place between one photograph and the next.

On the bookshelf – A Photographer’s Life 1990-2005 by Annie Leibovitz

I didn’t study photography at school or university. To be honest, if you showed me a selection of famous photographs and told me to name the photographer I would probably only get a couple right. ( an Ansel Adams shot of Yosemite and the Afghan girl by Steve McCurry) I am however trying to broaden my knowledge of great photographers. Not knowing where else to begin I thought I’d start reading about one of the most famous – Annie Leibovitz. I surfed over to Amazon.com and ordered a big compendium of her work: A Photographer’s Life: 1990-2005 by Annie Leibovitz The book is a mix of commercial portraits, and far more personal  images from her own life. Shots of her family, and pictures from her various travels around the world are woven between photographs of  Nelson Mandela, Carl Lewis, Bill Clinton, Michael Jordan, Brad Pitt. and R2-D2. There is a brief introduction and simple captions. I would have liked to have read the story behind each image, but the focus is kept (and perhaps rightly so) on …

Turin Shroud – An early photograph?

The Turin Shroud: How da Vinci Fooled History was lent to me on my last photo trip so I had something to read on the train. The book is the research about how Picknett and Prince came to the conclusion that the Turin Shroud was not just a forgery ( as previously shown by carbon dating ) but that it was a primitive photograph created by Leonardo da Vinci.  Most of the book is not particularly well written and was a bit of a struggle to get through. They go into detail about the history of the shroud, and the various different theories regarding its creation. The book did become interesting in the penultimate chapter when they describe how they tried to create a similar shroud image using techniques da Vinci (in their opinion a skilled chemist, artist, physician, physicist, and heretic) may have used. Their process involved producing a simple camera obscura with a primitive lens to project an image onto a piece of white linen. The authors thought da Vinci even used a model …