All posts filed under: Photography

F.A.Q.s – Which paper do you use for prints?

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Now that my photography exhibition has finished, I thought I’d put up the answers to a few frequently asked questions. Which paper do you use for prints? I use paper by Hahnemühle  a very old German company that produces some of the best fine art papers in the world. The particular paper I use for my Limited Edition Prints and for the prints on display at exhibitions is the Photo Rag Peari 320 from their Digital FineArt Collection. The paper is actually 100% cotton rather than cellulose, with a pearl coating that give the prints a luminous quality. Of particular importance is that the paper is certified as archival grade. Some examples of archival testing done on Hahnemühle papers with Epson’s UltraChrome K3 pigment inks can be seen here. Here are the results of another study by Wilhelm Research that tested Hahnemühle papers with Canon’s Lucia pigment inks.   I use Canon’s Lucia inks for their longevity, but also because their professional printers use 12 ink cartridges. This means they produce a wide color gamut that allows me to …

“Natural Framing” at Zakimi Castle, Okinawa

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I needed to get some examples of using natural framing in photographs for a future photo tips article I am writing. Luckily I knew of a suitable location that would allow me to get the images I wanted. Shots taken at 7.30 AM at Zakimi Castle, a UNESCO world heritage site that’s about 15 minutes from where I live. Zakimi Castle has no entry fee, and is permanently open. A fantastic place to take photographs.

Fujifilm GF670

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Picked up a couple of rolls of film I had dropped off at Kitamura Camera for processing.  Processing for one roll of  220 film (without any pushing or pulling) is 1740 yen. A box of 5 rolls of Provia 220 is 5080 yen. That means film plus processing comes to 2756 yen per roll or 131 yen per frame when using my camera (21 shots on a 220 roll). Film photographers have to deal with a rapidly reducing number of places that they can process film, and increasing prices of both film and processing. However, rumors of the imminent demise of film are a little premature. Not only is film still sold and processed, a new film camera was being advertised in the store. The Fujifilm GF670 is a brand new rangefinder camera with a clever collapsible lens. Weighing just 1kg it shoots in the same 6×7 format as my Pentax 67II.  If you want those big beautiful 6×7 transparencies, but don’t want the weight of a Pentax system this could be well worth checking out. It …

David Carradine – Kill Bill – Hattori Hanzo – Kiyochika Kanehama

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It was announced on the news today that David Carradine is dead. I am a little too young to have grown up watching the TV show Kung Fu, but I am sure that for many this will be a sad day. In recent years Carradine returned to fame as Bill in Tarantino’s Kill Bill movies. For those who haven’t seen the movies, in one of the scenes in Kill Bill Part 1, Uma Thurman travels to Okinawa to get a samurai sword made by sword smith Hattori Hanzo. A couple of years ago I did an interview with the only real sword smith in Okinawa – Kanehama Kiyochika. I even got to ask him about Kill Bill… From the age of 22 to 31, Kiyochika Kanehama trained as an apprentice swordsmith. At a forge in the Japanese Alps, his sensei Kiyomune Miyairi taught him how to create a blade from lumps of iron ore. For years, he studied the process of folding and honing metal to produce edges so sharp that they are considered a …

Print Prices – Why the change in currency?

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As some people have pointed out, a few months ago the prices for limited edition prints available on my website suddenly changed from US dollars to Japanese yen. At exhibitions in Japan all the prices for my prints are in yen. With fluctuating exchange rates, the only way to guarantee that the prices are the same whether you purchase on the website or through a gallery was to have everything in the same currency. You can check the prices in your local currency using a universal currency converter. Paypal will convert the amount from yen to your local currency when checking out, along with taking all the necessary shipping details. As always, A2 and A3 size prints include free international shipping and insurance.

Okinawan Bull Fighting

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During the summer months bull fighting takes place in several bull rings on Okinawa.  I have mixed feelings on the whole situation. Compared to Spanish bull fighting it is delightful. Okinawan bull fighting is a battle between equals rather than men against beast. The Okinawan bulls lock horns and then push each other until the weaker bull turns and runs. The bulls are not killed, and are looked after by their owners better than many pets. Near where I live, you regularly see the bulls being taken for walks. ( Something I really should photograph now that I think about it. ) Some bulls however do get injured, which is hardly surprising when both combatants have a big pointy horn on either side of their head. With the potential for animals to be injured or even killed is the cost of this entertainment too great?

Happy Birthday Big Ben

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Today is the 150th birthday of Big Ben. I am aware that Big Ben is the bell rather than the building surrounding it, but you can look at the photos and imagine the bell nonetheless! These pictures were taken a couple of years ago when Britain was having a terrible summer of almost constant rain. Just happened that the weekend I was in London was glorious weather. Hoorah!

Ryukyu Shimpo

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In today’s Ryukyu Shimpo (one of the newspapers in Okinawa) there was a short piece about my exhibition at Cotonoha. It’s a bit of a shame that it was published when my exhibition is only up for another couple of days, but better later than never. I’m going to be hanging out at Cotonoha Saturday and Sunday afternoon, so if you are in the area drop by and say hello (or konichiwa).

Turin Shroud – An early photograph?

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The Turin Shroud: How da Vinci Fooled History was lent to me on my last photo trip so I had something to read on the train. The book is the research about how Picknett and Prince came to the conclusion that the Turin Shroud was not just a forgery ( as previously shown by carbon dating ) but that it was a primitive photograph created by Leonardo da Vinci.  Most of the book is not particularly well written and was a bit of a struggle to get through. They go into detail about the history of the shroud, and the various different theories regarding its creation. The book did become interesting in the penultimate chapter when they describe how they tried to create a similar shroud image using techniques da Vinci (in their opinion a skilled chemist, artist, physician, physicist, and heretic) may have used. Their process involved producing a simple camera obscura with a primitive lens to project an image onto a piece of white linen. The authors thought da Vinci even used a model …