All posts filed under: Photography

Hachinohe Enburi – Photographs (part 3)

The parade wound it’s way through town. I tried to find a place with a background more interesting than a McDonald’s or a Mos Burger. Switching to a wide lens allowed me to capture more of the action. In the late afternoon and evening, the Oniwa Enburi took place in the garden of Koujoukaku, a historic building in the city where the dances were once performed for rich merchants. A young boy performed Ebisu-mai which celebrates the struggle and ultimate success of a fisherman. The final dances of the evening were performed in torchlight (and a few floodlights) these three men are performing Naga Enburi one of the oldest styles dating back 800 years.

Hachinohe Enburi – Photographs (part 2)

After the initial ceremony at the shrine, the participants of the festival gathered in the small park nearby, before starting the parade through the city. As I learned at Notting Hill Carnival a few years ago, these few minutes pre-parade are the perfect time to get some good portrait shots. Great costumes and smiles make the job of a photographer much easier. Not everyone smiles for the camera, but perhaps a grin would seem out of place with the pair of samurai swords.

Hachinohe Enburi – Photographs (part 1)

Nearly two weeks have gone by since my last post, and I am now back in Okinawa. I have started the slow task of scanning the transparencies and will post them to the blog over the next few days.  The festival began at 8 a.m. at Choujasan Shinra shrine. Groups of men wearing horse head inspired hats danced with various farming tools. A young girl did a dance that I think had something to do with planting rice, and then as the snow began to fall again one of the groups of participants gathered for a group photo.  On a technical note, photographing on snow without the aid of a digital screen to check exposure can lead to terribly unexposed photographs if you use auto settings. I didn’t have my handheld meter with me so I used the camera’s meter to first gauge the light off a mid tone building then manually set the exposure on the camera.

Hachinohe Enburi

On the road again… I’m standing in the lobby of the Aomori Toyoko Inn  using the complimentary internet service while my clothes churn away in the “coin-laundry.”  On Monday I flew from Okinawa to Tokyo then took the shinkansen bullet train to Hachinohe.   Hachinohe is a city of limited charm and is, all in all, a rather desolate snow-blasted place. Maybe because of this the locals enjoy a good celebration and consequently have a big festival in both summer and winter.  On Tuesday I spent the day photographing the Hachinohe Enburi from the initial shrine ceremony at 8am through to an evening performance of the traditional dance. The festival and dances are to ask the gods for a good harvest in the coming months, and to remind each other that they must work hard at tilling fields, planting crops and fishing to get enough food to see them through the winter.   In this  modern age it would be appropriate to now post some photos of the event. I am, however, an analog man in a digital world, which means that the photographs …

Photographer Ben Simmons

Last week photographer Ben Simmons visited Okinawa and dropped by my house for coffee and a chat before exploring the island. It was fantastic to meet Ben and have a good discussion about photography, living in Japan, and the changes in both camera technology and the photography industry as a whole.       I also got some advice on places to shoot when I am in Tokyo for a few days later this month. Ben has published several books including Tokyo and Japanscapes: Three Cameras, Three Journeys.           What pleased me most of all was that after many decades of working as a professional photographer Ben still loves taking photographs. I think it is all to common for the realities of work to erode away the passion you have for something. I know SCUBA diving instructors who found that their dream career rapidly became more and more like a regular job. It gives me confidence that I will still love taking photographs for decades to come.      

Around the World with TPN

The Travel Photographers Network is a community of travel photographers that aims to improve and promote the art of travel photography. A community only thrives through the actions of its members, and luckily TPN is packed with talented people who are willing to share their ideas, their experiences and their dreams with others. Over the last year TPN has put together a book showcasing fantastic images by the community’s members. The book has just been published through Blurb and is available for purchase here. Two of my photographs were selected for the book: Rising Sun and Monkey Hug. It is an honor to be part of a book created by  a group of individuals with a shared passion for travel photography.

Mount Asama Eruption

Mount Asama, one of the volcanoes in central Japan erupted yesterday. Eruptions are not a rare event in Japan. Mount Sakurajima near Kagoshima regularly has a column of smoke rising from it. Mount Fuji, Japan’s highest mountain, is quite literally a time bomb waiting to explode. At the start of 2000 I was living in Otaru, Hokkaido. On March 31st,  the morning TV news showed that the local volcano, Mount Usu, was smoking. (Note I saw the pictures on the screen, but didn’t understand what the newscaster was saying.) A couple of friends and I had the day off so we decided to go and have a look. We drove from Otaru to Lake Toya, but got a little lost on the way and ended up taking little back roads rather than the main highway. We arrived at Lake Toya to find it was very quiet and there was only a single news photographer standing  at the lake edge. I took a few photographs of the Mount Usu erupting in front of us. The news …

On the bookshelf – Night & Low-Light Photography

In my recent blog about tripods I mentioned that one of the uses of a tripod was for night shots. In reality most “night” shots are actually taken during twilight. The reds and purples or the sunset add some visual interest to the background, while the slightly lighter sky allows the building to be silhouettes rather than disappearing into the night. Lee Frost (a fellow Pentax 67 shooter ) gives a good introduction to shooting at night, dawn and twilight in his book The Complete Guide to Night and Low-Light Photography This is the book I have on my bookshelf, but there are numerous similar books available and many of the more recent ones are slanted far more toward digital users. There is always the exception to the rule. Jason Hawkes doesn’t use a tripod for his night shots but as an aerial photographer prefers to use a giro-stabilizer attached to a helicopter. The results are fantastic, my favorite of which is this one here.

Baraka

A couple of years ago I met up with Jeremy Sutton-Hibbert, a Tokyo based photographer who produces fantastic images for clients ranging from The Guardian to Greenpeace. During our conversation he asked which photographers I was inspired by. There was a rather embarrassing pause, followed by me admitting that I had always been inspired more by TV and movies than photographers.  The truth is it was the images from documentaries like The Trials of Life and movies such as Dances with Wolves and Braveheart that were truly awe-inspiring. There is one film above all others that really affected me  – Baraka. Baraka is a fantastic journey through 24 countries with breathtaking cinematography.  I was amazed when I saw it 14 years ago as a university student, and it still inspires me. One wonderful thing is that I have now been to some of the places captured in the film. I have witnessed snow monkeys relaxing in their hot spring pools, and thousands of commuters surge through Tokyo’s stations. In a previous post I talked about film size and the tradeoff between film size( …

Do you use a tripod?

Short answer: Yes, most of the time. Longer answer: As mentioned before the Pentax 67II is a big heavy camera. You can use it handheld, but it is both tiring and you don’t get the same level of sharpness you would with a steady base. I don’t use a tripod when I am moving around at festivals, as I am usually shooting portraits with a fast shutter speed. 90% of the time, however, when I fire the shutter I have the camera firmly mounted on the tripod. This is essential when you are taking night scenes, you are working in low light, or when you are shooting a landscape and want both the foreground and background in focus. Even longer answer: There are several factors that determine what is a good tripod, but the importance of these individual factors will depend on the needs of the photographer so there is no one perfect tripod for all photographers, you have to find which works best for you. There are several factors you should consider. Weight: A …