All posts tagged: okinawa

Uechiryu Karate 9th dan Takehiro Gaja

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Gaja-sensei, a lovely Okinawan man in his late 60’s, who after years of conditioning, has become both the unstoppable force and the immovable object. Uechiryu Karate is in my opinion the toughest of the karate styles. It is based around brutal conditioning of the body so that, if required, the person can endure heavy blows and then deal out a devastating response. Conditioning fists, forearms and shins is done through striking punch bags, wooden boards and even concrete pillars. Gaja-sensei demonstrated his technique for conditioning fingertips. Fill a bucket with stones (or sand if you’re taking it easy) and then punch with an open hand deep into the bucket of stones. So why condition the fingers to such an extent? The answer is simple and brutal. Poking someone in the ribs is more effective if you can literally reach in through the rib cage and remove some of them.

Recovering the war dead on Okinawa

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A month ago I worked with writer Julian Ryall on a piece about how the remains of the war dead found on Okinawa are identified and hopefully returned to their family graves. Photographing the skeleton of a dead Japanese soldier, and shards of bones in various trays was somber, but at that moment you are working and concentrating on getting images. Only later, when you’ve packed your gear away and returned to everyday life do you ponder the deeper meanings of what you’ve witnessed. On the cover of the Number 1 Shimbun is an image I shot of Gushiken-san a volunteer that has devoted his life to returning the remains  of the fallen to their loved ones. Inside are a couple more images and the feature by Julian Ryall.

Gojuryu Karate 10th dan Tetsuhiro Hokama

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A great day last weekend shooting with Gojuryu karate 10th dan Tetsuhiro Hokama. As is clear from the following photos the idea that karate is a weaponless martial art is clearly not accurate. Although many practitioners state that karate means empty hand, the original meaning of the word was Chinese hand. Improvised weapons, many from farming equipment, were very much part of karate. It might seem strange to see a karate master using duct tape covered nunchaku, but it’s also impressive that he’s using them so much he’s got to give them a little reinforcement. “Speak softly and carry a big stick; you will go far” Theodore Roosevelt, a big proponent of the rokushaku bo. Tonfa now used by police forces across the world. Never start a fight at the Okinawan dragon boat races. The Okinawan sai, as used by Raphael. Hopefully before you clicked on that link you weren’t thinking of this other Raphael. Hokama-sensei showed how the kama can be used between the opponents legs to end the fight very quickly. And if …

Trash the Dress – Okinawa

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Alexis, one of the riding instructors, recently got married to Michael. They have plenty of great wedding photos, but thought that they’d like to make the most of the Okinawan beaches and her passion for horses. After shooting the two of them cantering through the surf I took some quick “trash the dress” style images. I really like the look of this final shot, but from a story telling perspective you probably shouldn’t end the series with a shot of the bride gliding off into the distance without her husband! (Trash the dress – okay, trash the military dress uniform – not okay.) A final thanks to the clients Alexis, Michael, Eve and Madie. Also to Summer Johnson for getting up way way before dawn to start makeup, and to Shawn Miller as my faithful assistant.

Mihara Horse Club of Okinawa

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A fun shoot last Sunday with Alexis, Eve and Madie, three instructors from the Mihara Horse Club of Okinawa. I’ve hired horses from the club for model shoots in the past, so it was great to get the instructors in front of the camera. One of the advantages of photographing riding instructors, is that they will happily gallop along the beach without looking terrified or ending up bruised, battered and litigious. After getting some shots of the three ladies riding I took some portraits of them with the horses. Although it had only just turned 8AM, the Okinawan sun was already strong enough to make people squint and leave strong shadows. I brought along a large Ezylite diffuser which creates a patch of open shade in which I can shoot. Alexis’s husband Michael and my assistant Shawn were press-ganged into holding the diffuser up above their heads while I shot. A great morning with lovely people and horses. On a technical note. If you’re photographing galloping horses you’re going to need to take a lot …

Dusk at Cape Zanpa

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Cape Zanpa (also spelt, or arguably misspelt, Cape Zampa) at dusk. This was the first time out shooting with a new shift setup for the 645D. I used a Pentax 67 45mm lens with a Zörk ProSA-P67 adapter. This adapter not only allows you to use 67 lenses on the 645 camera but also allows you to raise or lower the lens to correct converging verticals when shooting landscapes or architecture. More details and images should follow over the next few weeks.