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smc PENTAX-D FA645 25mmF4AL[IF] SDM AW

smc PENTAX-D FA645 25mmF4AL[IF] SDM AW

smc PENTAX-D FA645 25mm (Photo by Pentax)

Pentax has announced that a new super wide lens will arrive in April for the Pentax 645D system. It looks like it will be an amazing piece of equipment. At 25mm it will be the equivalent of a 19.5mm lens on a FF 35mm camera. If mounted on a film 645 camera (or a future full frame 645D) it will be the equivalent of 15.5mm.  Similar to the new 55mm it has excellent optics enclosed in a weatherproof body. An interesting thing to note is the built in filter holder behind the large curved front lens. The dial on the left allows you to rotate a circular polarizer while the filter is sealed away inside the lens. This is a great feature, and is something I really like about my huge 67 400mm lens.  A few things that may rise a few eyebrows…

 

At 1070 grams this is going to add a fair bit of weight to your camera bag.

At around 4000 dollars (¥361,782 at Amazon.co.jp) this is a serious amount of money.

It is very pleasing to see that Pentax is continuing to develop new lenses for the 645D system. One of the initial worries about the 645D camera was the lack of wide angle lenses, making the system quite limited when used alone. Now with the arrival of the 25mm, there is a least the possibility of going wide, I just need to sell a kidney to do so 🙂

Okayama to Osaka

Took the bullet train from Okayama to Osaka. I’m not a trainspotter, but it’s hard not to be impressed by these trains.

700 series Shinkansen ( bullet

700 series Shinkansen ( bullet train ).

Series 700 and N700 Bullet Trains

The N700 is the latest version of the 700 series train. Max speed is 300 km/h (186 mph) and, due to its ability to tilt, it can take curves in the track at 270 km/h.

Hadaka Matsuri – Chaos

Naked Man Festival, Okayama (8) Chaos

Naked Man Festival, Okayama (8) Chaos

More and more men pack in to the temple until it resembles a scene from Dante’s Inferno. At 10PM a monk throws two sacred sticks into the writhing mass. Those who can grab a stick and pass it to another monk outside the temple will have a year’s worth of happiness.

Naked Man Festival, Okayama (9) Frenzy

Naked Man Festival, Okayama (9) Frenzy

Hadaka Matsuri – Purification

As the men arrive at the temple they wade through a pool of cold water to purify their bodies.

Naked Man Festival, Okayama (5) Purify

Naked Man Festival, Okayama (5) Purify

For some the cleansing is a painfully cold test of endurance.

Naked Man Festival, Okayama (6) Cleanse

Naked Man Festival, Okayama (6) Cleanse

Others splash and smile, seemingly unaware of the water or air temperature.

Naked Man Festival, Okayama (7) Sanctify

Naked Man Festival, Okayama (7) Sanctify

After this sequence I can confirm that the Pentax 645D and the new 55mm lens are both weather sealed.

Hadaka Matsuri (Naked Man Festival) in Okayama

Things have been a little hectic the last few weeks. Just got back from a weekend up on the mainland. Saturday night was the Hadaka Matsuri in Okayama. (You can read more about the city in  The Best of Okayama. )

Hadaka Matsuri or Naked Man Festival  is one of Japan’s most unusual festivals. It will culminate with a brawl between about 9000 almost naked men.
At the start of the evening, things are more subdued. Locals light candles and say their prayers as they await the chaos.

Naked Man Festival, Okayama (1) Candles

Naked Man Festival, Okayama (1) Candles

Inside Saidai-ji Temple the monks begin to chant. The smoke from incense burners hangs in the air.

Naked Man Festival, Okayama (2) Chants

Naked Man Festival, Okayama (2) Chants

A lone man stands at the temple. It’s close to freezing outside, but he doesn’t seem to notice. He won’t be alone for long…

Naked Man Festival, Okayama (3) And so it begins...

Naked Man Festival, Okayama (3) And so it begins...

Naked Man Festival, Okayama (4) Cheeky

Naked Man Festival, Okayama (4) Cheeky

Kiku-san and the carrot

Kiku-san is 92 years old. She has a small garden next to her house where she tends her vegetables. She grows lettuces, radishes, garlic and carrots.

Kiku-san (age 92)

Kiku-san pulls up a carrot

Vanquished

Pop the carrot in the crate

Pick up the crate of veggies

Kiku-san wanders home to make dinner.

There are a few important things to note from this simple series of images with regards to longevity.

The first is that Kiku-san grows and eats a large range of vegetables. The second is that she is gardening and exercising even though it’s mid February. Third, she is smiling.

So there you are, three keys to a long life. Eat your veggies, exercise, smile.

Enjoy the rest of your lives 🙂

Outdoors / Indoors

A couple of shots from a recent session working on images for Bianca’s porfolio.

Natural Lighting - Bianca  ( Pentax 645D with 6x7 105mm )

Natural Lighting - Bianca ( Pentax 645D with 6x7 105mm )

Studio Lighting - Bianca ( Pentax 645D with 6x7 105mm )

Studio Lighting - Bianca ( Pentax 645D with 6x7 105mm )

A big thank you to Eboh Ajeroh for lighting and Ursula Ajeroh (Ursula’s Styles) for makeup.

 

On the bookshelf: Going Pro

There are some interesting photography books available that discuss how to work as a photographer. I thought I’d discuss a few of them in the same post as they are less about the art of photography and more about the realities of surviving as a professional. There are many books out there, these just happen to be four that are on my bookshelf.

Photographs that sell and sell... by Roger Antrobus

Photographs that sell and sell… by Roger Antrobus

The first, Photographs That Sell and Sell… by Roger Antrobus is a brief introduction to stock photography. The book was published in 2003, and due to the changes in the stock industry, is now, in some respects, very out of date. The good points are that it explains how, if you can capture great photographs, it is possible to sell them as stock images to newspapers, magazines, and advertising. Antrobus shows examples of his images that made him a lot of money, and explains why he thinks they were successful. What is not discussed is that the price paid for stock images has crashed in recent years, while the number of people taking stock images has increased. The image of the light trails on the cover is a perfect example of this. It’s a good shot, but there are now thousands of similar images. The chances of still making money from a generic light trails image  is pretty limited. Antrobus even titles one section “Stock photography provides a pension”.  It’s a lovely idea, but I’d put some eggs in other baskets otherwise you’ll be going cold and hungry in your old age .

Taking Pictures for Profit by Lee Frost

Taking Pictures for Profit by Lee Frost

Taking Pictures for Profit by Lee Frost begins takes a broader approach to being a photographic mercenary. After a brief section on equipment, he writes about getting images into magazines, newspapers, calendars, and books. He then discusses photographing weddings,  commercial assignments and portraits with examples of his own work and “Pro-files” of other photographers. Finally he has a section discussing stock imagery, in a similar way to the  book by Antrobus.

Professional Press, Editorial and PR Photography

Professional Press, Editorial and PR Photography by Jon Tarrant

Professional Press, Editorial and PR Photography by Jon Tarrant was published in 1998. It’s descriptions of modern technology (Kodak DCS 520, pagers, automated film processing machines) are not much use, although it’s a useful reminder that even the latest equipment will become outdated and obsolete before long. It does however discuss the realities of being a working photographer, and the business side of being a professional. Dealing with clients, suppliers and even the taxman aren’t particularly glamorous aspects of the job, but they need to be considered. This was the first book I read that explained what to do if and when clients don’t pay.

VisionMongers by David duChemin

My most recent purchase, and by far the best of the group  is VisionMongers: Making a Life and a Living in Photography. I bought VisionMongers having being impressed by duChemin’s previous book Within the Frame. As is to be expected, David duChemin is a great photographer, but he is also a talented writer. He has a good conversational tone to his prose, and what he has to say is useful or even insightful. In Within the Frame, he mentioned the idea that gear is good, but vision is better. In VisionMongers, a book on being a professional photographer, profit and selling (see titles of the first two books in this list) are secondary to vision and passion.  The book came on sale only a few months ago so along with more traditional advice on starting a career, it also contains up to date guidance on branding, websites, blogs and even twitter. duChemin is however, not shy to discuss the financial realities of becoming a professional photographer.  Having gone through bankruptcy himself he does not advocate a gung-ho approach to career transition, but discusses the various possibilities available.  There’s a lot more to the book, but rather than have me ramble on, I simply recommend you buy a copy and read it.  Well worth the money.

Cherry Blossom in Okinawa

Cherry Blossom in Okinawa (2)

Cherry Blossom in Okinawa (2)

Spring is officially here in Okinawa. Cherry blossom is in full bloom, and it’s starting to warm up.

The cherry trees in Okinawa produce dense pink blossoms, quite unlike the pale blooms up on mainland Japan.

The most popular viewing spot in Okinawa is not a large public park, but on the twisty road up Yae mountain near Nago City. It’s a pretty drive, but get there very early, or you’ll get stuck in a long line of cars.

Cherry Blossom in Okinawa (1)

Cherry Blossom in Okinawa (1)

Equipment: Pentax 645D, Pentax 67 to 645 adapter, Pentax 67 Macro 100mm

 

Visions of Japan at Global Gallery – A few thoughts

Visions of Japan at Global Gallery Pete Leong

Visions of Japan at Global Gallery (AutoStitch image by Pete Leong)

It’s been a couple of months since I held my Visions of Japan exhibition at Global Gallery. I’d promised I’d write a  post about the experience of putting on this exhibition, sorry it took so long. (If you haven’t read it all ready, take a look at my previous post Zen and the Art of Photography Exhibitions in which I talk about what I learned from my first few shows)

1) Space

I had more space for this exhibition. It was great to be able to show a large range of images. I did however only hire half the gallery to save on rental costs. I was able to display around 20 framed A2 landscapes and 24  matted A3 portraits.  The larger area also gave me the space for several tables from where I could display and sell prints.

2) Costs

The basic costs for gallery rental, postcards and posters came to a little over 100,000 yen or $1000. In addition to this were the costs of producing the pieces for display.

3) Sales

This was the first exhibition where I had items for sale. Rather than just handing over a business card and telling people to go through the website, people could browse through the prints and purchase them then and there. Along with the larger prints I produced some smaller pieces to give people a greater selection. (The smaller pieces are not available on the website but can be purchased at Kadena Gift Corner on Okinawa). Over the week I sold several prints, which covered the cost of the exhibition. I’d like say a huge thank you to those who purchased prints, it’s really appreciated and it’s an honor to have my images on display in your homes.

Vision of Japan at Global Gallery (A ropey first attempt with AutoStitch for the iPhone)

4) Visitors

There were around 320 visitors to the exhibition over the six days. The majority of visitors came to Global Gallery having been invited directly by me, having received a postcard from me, or having read my blog. Surprisingly few visitors were passersby. The main reason for this was due to the location of the gallery. Although in a busy shopping center,  Global Gallery is located on the 3rd floor along with restaurants, a hairdresser and a photo studio. People browsed on the first two floors, but didn’t make it up to the third floor unless they were going to the restaurants (or for a hair cut). As the space is not always occupied with exhibitions, you also don’t get people who habitually drop by the gallery to see what’s on show. Overall, if you don’t get the word out about your event, people probably won’t come. Advertising and promotion is just another skill that photographers need to learn. (It turns out that simply watching Mad Men doesn’t make you an advertising genius.)

5) Digital Photo Frame

Back in 2009 I had an exhibition at Cotonoha Art Space + Cafe. One of the great things about Cotonoha was the presence of a digital projector and screen that allowed you to display far more images than using wall space alone. At this exhibition I tried something similar but on a much smaller scale. I bought a 8-inch digital photo framefrom Amazon Japan for about 80 dollars, uploaded a selection of images, and placed it on the counter. It worked really well, although it’s not quite the same as having comfy sofas and your images being projected onto a wall.

Overall the exhibition was a good experience. Thanks again to everyone who came by. Your support is really appreciated. If everything goes to plan I’ll have my first exhibition in Tokyo this year. Watch this space 🙂