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Akita Kanto Matsuri – Kid Portraits

Digital Discovery #1

The LCD screen on the back of the camera is a great way to interact with the people you are meeting. Take one shot of a kid, and then show the image to the whole group. You then have 10 kids who want their photo taken.

Digital Discovery #2

Having a whole group of kids wanting you to take their photo could be a problem my old camera. As it cost about $1.50 each time I pressed the shutter I had to be quite selective with the shots I was taking. (You can’t even fake taking a photo with the 67II as the shutter is so loud.) With digital I could happily shoot everyone (and delete images later).

Akita Kanto Matsuri - Kid Portrait (1)

Akita Kanto Matsuri - Kid Portrait (1)

Akita Kanto Matsuri - Kid Portrait (2)

Akita Kanto Matsuri - Kid Portrait (2)

Akita Kanto Matsuri - Kid Portrait (3)

Akita Kanto Matsuri - Kid Portrait (3)

I handed out business cards to the parents of these kids, so if you are one of their parents please contact me so that I can mail you the digital file or prints.

この子供さん達のご両親で、写真を希望される方は連絡ください。

Akita Kanto Matsuri

I flew from Naha to Haneda, then jumped on the Shinkansen to Akita. There are cheaper way to travel (as I would learn later in my trip) but I needed to get to Akita before the festival got going in the evening.

I dumped my big bag at the hotel then rushed out to try and get some shots of people preparing for the festival. Akita Kanto Matsuri is a lantern festival so I wanted a shot of a local, preferably in traditional dress, and with lanterns. Dripping with sweat, I made my way around the back alleys until I found just what I was looking for.  Kids, lanterns, and beautiful golden light.

So here it is, one of the first images from my trip.

Boy with lanterns, Akita Kanto Matsuri

Boy with lanterns, Akita Kanto Matsuri

Off camera flash

Quick test to see if I could trigger my old hammerhead flash with a PocketWizard.

In this shot fellow photographer Pete Leong is actually working as both model and assistant. He is holding the flash with his outstretched right arm and pointing it back at his face.

Off Camera Flash test with Pete

Off Camera Flash test with Pete

Island Icon: Edo Heinrich-Sanchez

Voice for the Oceans

Edo Heinrich-Sanchez is devoted to protecting Okinawa’s environment and promoting its culture.

Edo Heinrich Sanchez

Edo Heinrich-Sanchez

Edo Heinrich-Sanchez was born in the Caribbean, but  grew up in the Canary Islands and the United States. He first came to Okinawa in 1981 as a F4 Phantom mechanic on Kadena Air Base. After his career in the military, Edo returned to the United States to study photography at the Colorado Institute of Art, and then broadcasting at the Metropolitan State College of Denver. In 1990, he moved back to Okinawa, and since then, he has been teaching, producing TV shows, and feeding his greatest passion-protecting Okinawa’s environment for future generations.

Has your background in broadcasting helped you while on Okinawa?

“The most recent project I have been involved in was working as a producer for a TV series titled Fantastic Festivals of the World. Episode number 11 was based on the kyu-bon and eisa festivals in Okinawa. The series was shown on the Discovery Channel and is still aired regularly. In December 2005, the Okinawa episode won the best cinematography category at the High Definition Awards in Los Angeles, so many more people will get to learn about Okinawa’s unique culture.”

I have seen banners for Okinawa O.C.E.A.N. at beach clean-ups. What does O.C.E.A.N. stand for?

“O.C.E.A.N. is an acronym for Ocean Culture & Environment Action Network. Our goal is to protect the environment on Okinawa through youth education, direct action, and networking. We started out back in 1992 as the Okinawa International Clean Beach Club, but slowly we have expanded, bringing new ways to tackle environmental problems such as international networking with other environmental groups and governments. We just hosted the Pacific Islands Youth Environmental Summit and the My Island Action Charter Workshop. On April 22, 2006, O.C.E.A.N. also endorsed the Earth Charter, which aims to create a just, sustainable, and peaceful global society.”

Beach clean up in Yomitan, Okinawa

Beach clean up in Yomitan, Okinawa

What are the biggest threats to the environment in Okinawa?

“The simple answer is us – humans. Red soil contamination of the water is not strictly enforced; trash is still dumped by individuals and companies, and not everyone is recycling. We have the resources, money and manpower to deal with a lot of these problems, but they are not allocated in the right way due to hidden agendas and greed.”
“I think there needs to be a total island plan for Okinawa with a better idea of where development should and shouldn’t take place. Ecological awareness must be an integral part of the decision making. I think protecting the environment is like a Rubic’s Cube – it’s complex and seems almost impossible to solve, but eventually, we can find a solution by moving all the different parts in the right directions.”

What can people do to keep Okinawa beautiful?

“Don’t litter, of course! Also, we need to pick up trash other people have left behind. The three “Rs”of reduce, reuse and recycle are important to remember. In addition, I think you can add another one: refuse. If you are at a convenience store, refuse the disposable chopsticks or plastic bags that are a waste of resources and just add to the landfills.”

Dead sea turtle on the beach Okinawa, Japan

Trouble in Paradise - Dead sea turtle on Ishikawa Beach

Are you optimistic about the future?

“Yes, but I think governments need to place a higher priority on protecting the environment. If we shifted some of the money we spend on the technology of destruction to the technology of protection, we could solve many of our ecological problems. This is crucial because we have to make sure our kids grow up with clean beaches and healthy oceans.”

You’ve lived in Okinawa for 16 years do you now consider yourself Okinawan?

“I think of myself as a shimanchu (an island dweller). I was born in the Caribbean Islands, raised in the Canary Islands, I work on Okinawa Island and we all live on this giant celestial island we call Earth.”

Learn more about O.C.E.A.N. along with information on future events at their website

http://www.okinawaocean.org/

Location shoot: Horse riding in Okinawa

There are huge differences between shooting in the studio and shooting on location. Above all, it’s the degree of control. In the studio you can easily adjust the direction, quality and strength of light. You can make micro adjustment to the model’s poses, and then shoot, check and reshoot until you get it right.

Yesterday was a wonderful example of having to relinquish control. With heavy clouds, sporadic rain, and several large horses, you have to work with what the conditions and the equine models will give you. Luckily things all came together. The overcast skies produced a nice even light, and the horses were kind enough not to throw Liz off their backs, or knock me (and the camera) into the water.

Horse riding on Okinawa - Liz & Makoto (645D with 645D 55mm lens)

Horse riding on Okinawa - Liz & Makoto (645D with 645D 55mm lens)

Horse riding on Okinawa - Liz & Sky (645D with 67 105mm lens)

Horse riding on Okinawa - Liz & Sky (645D with 67 105mm lens)

Horse riding on Okinawa - Liz & Sky (645D with 67 105mm lens)

Horse riding on Okinawa - Liz & Sky (645D with 67 105mm lens)

Huge thanks must go to Liz Craig for modeling, Kim Clay for makeup, Pete Leong and Eboh Ajeroh for assisting, and above all Eve Carey, Makoto, Sly and Sky of Mihara Horse Club.

Location shoot: Liz on a horse (behind the scenes)

Pro wedding photographer Pete Leong came along on a fun location shoot with model Liz Craig and horses Makoto, Sly, and Sky.

Pete took some wonderful behind the scenes shots, which pretty much explain all. So without further ado…

Ready to shoot by Pete Leong

Ready to shoot (image by Pete Leong)

 (image by Pete Leong)

Bring on the horse (image by Pete Leong)

 (image by Pete Leong)

Do not drop the camera! (image by Pete Leong)

 (image by Pete Leong)

In the middle of the action (image by Pete Leong)

 (image by Pete Leong)

Eboh and I getting a few final shots (image by Pete Leong)