Here’s the first draft of the DM or promotional postcard for the Matsuri exhibition at the Pentax Forum in September. The next step is selecting and printing images. Most of the images I’m choosing from are in my Matsuri set on Flickr, please check them out and let me know if there are particular favorites you’d like to see in the show.
A portfolio session with model Darryl Chiang. We worked fast and efficiently to get a good selection of images in a short amount of time. Makeup artist Summer Johnson was on hand as guys (or potential Presidents) can sometimes benefit from the use of makeup. Summer’s talents, however, would really come in to play on Darryl’s next shoot, “Fight Club”. Darryl has been told he looks like a Korean pop star, but I thought I’d go for a Japanese otaku theme for this next shot. And finally a far cooler sports image of Darryl on a triathlon / time trial bicycle.
Perhaps the most famous of the United States Marine Corps’ mantras is “every Marine a rifleman”. It doesn’t matter what specialization you go into, each marine must still undertake regular training and assessment in their ability to fire a rifle. I mention this as there should be a similar mantra with regards to scuba: every underwater photographer a diver. The key issue is that if you’re an experienced diver and an inexperienced photographer, you may get mediocre shots, but you’ll dive safely and within your limits. If you’re an experienced photographer and an inexperienced diver, you can quite easily, and very quickly, find yourself in serious trouble. An SLR camera in a housing is large, heavy, bulky, expensive and demands your concentration. Add strobes and you’ve just magnified all these factors. If you are having any issues with your diving – buoyancy, navigation, exhaustion, air management, decompression etc then the camera is only going to make things worse. Spend too much time looking through your viewfinder and not enough time checking your gauges and you …
9th Dan Kounanryu Karate and Kobudo Master Jyosei Yogi, photographed at the Budokan national martial arts center in Naha, Okinawa.
I bumped into Sid a couple of weeks ago as he was taking his two human minions for a walk along the seawall. I asked Sid if he’d done any modeling before, and he said that people were always describing him as a leggy blonde. A couple of days later he was chauffeured over to the studio and happily struck a few poses for the camera. I was going to point out that Sid looked at little like Scooby-Doo, but this would have been a real insult to a Great Dane as it is common knowledge that Scooby-Doo was modeled on the exact opposite of what a champion Great Dane should look like. Takamoto consulted a studio colleague who happened to be a breeder of Great Danes. After learning the characteristics of a prize-winning Great Dane from her, Takamoto proceeded to break most of the rules and designed Too Much with overly bowed legs, a double chin, and a sloped back, among other abnormalities. Wikipedia Thanks very much to Sid and his two personal assistants. Hope …
A few images from a portfolio shoot with model Michelle Santos. Michelle heads back to Brazil having spent several years in Japan. She wanted some new images in her book so that’s what we did. I’d like to thank Summer Johnson and Aiasha Orick-Fleurantin for their work on makeup and hair, and Michelle for being able to pull off so many different looks in a short time.
Here are some shots from the first dive with the strobes. The lens used was a 50mm macro (which due to the crop factor on the K5 means it’s the equivalent of a 75mm lens on a 35mm camera). The strobes mean macro shots will be a lot sharper. This is partly because the flash sync shutter speed of 1/180 maybe quicker than the shutter speed used without strobes, but mostly it is because it is the much faster flash duration that actually freezes the action. The result is that you can make out the teeth of the grumpy anemone fish, which otherwise would have been just a blur. The bright modeling light of the DS-161 strobe is a great help allowing the camera to autofocus more easily. The operative word here is more, as getting it to lock onto a fish as it whooshes by is always going to be tricky. That’s why you’re going to be seeing a lot of photos of fish that either don’t move much (see below) or tend to …
A couple of weeks ago, I did a portfolio shoot with model Susan Fletcher.We worked on a selection of looks to give Susan more variety in her images. The keys to this transformation were the skills of makeup artist Summer Johnson and hair stylist Aiasha Fleurantin.
A you descend beneath the ocean’s surface things become darker and bluer. Light is absorbed by the water and it does this to a greater extent at the red end of the color spectrum. When shooting in the shallows you can capture the vibrant colors of the reef, but sink a little further and your images will look a little green and possibly blurry from slow shutter speeds (or noisy from high ISOs). The solution is to shed a little light on your subject. Send in the strobes. I bought two used Ikelite strobes on Ebay (thank you Vadim in Australia). One is a powerful DS-161 strobe that has a 3W modeling light, and the other is a far less powerful (and much cheaper) DS-51 strobe that I use as fill. The above image is a pre-dive test in the bath, which showed that both strobes worked, and that the light from the modeling light allows the camera to autofocus on the subject. The strobes are positioned in this image for macro shooting. The lens …
If you listen to photography podcasts or are interested in Japanese wildlife photography you’ve probably already come across Martin Bailey. Check out his website to learn more about him, but in summary he’s a talented guy from the UK who works as a photographer in Tokyo and shares his knowledge with others through his podcast, an e-book, photography tours, and workshops. A couple of the areas Martin is particularly knowledgable in are color management and printing. These are key parts of a professional photographer’s workflow, and without a firm understanding of them, you’re just hoping for the best rather than taking control. After the successful Photography 101, Off Camera Flash, Retro Portraits, and Light Painting workshops I contacted Martin to ask if he’d like to come to Okinawa to teach a weekend workshop on color management and printing. We discussed the idea and as Martin is already planning on teaching Pixels 2 Pigment workshops in the UK, America and Australia later in the year, he said if there was enough interest he’d come down to Okinawa …
