All posts tagged: karate masters portrait project

Hidetada Ishiki at Itokazu Castle Ruins

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Before shooting studio portraits of Ishiki Sensei and his son for the Karate Masters Portrait Project we visited Itokazu Castle ruins to get some location shots. Ishiki Sensei studied kobudo with Shinpo Matayoshi alongside students including Gakiya Sensei and Yamashiro Sensei. Studying exclusively with Matayoshi Sensei meant they delved deeper into the different weapons, so along with the more common bo (staff) and sai, they learned weapons such as nunchaku, sansetsukon (3 piece nunchaku) and the mini sansetsukon (which Masakazu Kinjo Sensei once described as the Saturday night special). Always fascinating to have the opportunity to shoot with the karate masters outside the dojo, and I think I came away with some interesting new shots. Images taken with the Pentax 645Z, 35mm, 55mm, 90mm lenses. Profoto B1 strobe with Softlight reflector.

Hiroshi Takamiyagi, Hanshi 10th dan Goshukan Ryu Karatedo

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Today I received the sad news that Takamiyagi sensei has passed away. We spent a lovely day with him in December 2015 taking portraits in his dojo and next to the ocean in Sunabe, Okinawa. A few months later, Takamiyagi met James and I at the Dojo Bar to give us copies of a book he’d made with the images as a thank you gift. He was a lovely gentleman and so encouraging about the project we were undertaking. Our thoughts go out to Takamiyagi’s family and friends and to his students such as Garry Parker who will continue the legacy of Goshukan Ryu Karatedo.

Kenichi Yamashiro 9th dan Matayoshi Kobudo

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On Friday evening we travelled down to the very south of the main island of Okinawa to the dojo of Kenichi Yamashiro. He is the 83rd sensei to be photographed for the project, and it was fascinating to meet him. Kobudo is the weapons system of Okinawan martial arts and is often studied alongside karate. Arguably kobudo is an intrinsic part of traditional karate, or perhaps traditional karate is an intrinsic part of kobudo. Yamashiro sensei trains with a wide range of weapons, including some which I’d never seen before such as the spinning bo staff. Hopefully in the future we’ll be back again to interview him for the Sensei: Masters of Okinawan Karate documentary series. All images captured using the Pentax 645Z and 90mm lens. Lighting using the Profoto B1 and softlight reflector. A big thank you to Gary Hughes for assisting with lighting, Yuki Willson and James East for interpreting, and Mike Clayton for help setting up the shoot. A huge thank you to Kenichi Yamashiro for inviting us into his dojo and …

Karate Masters Documentary – Let’s make it happen!

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It’s been three weeks since I posted the pilot for Sensei – Masters of Okinawan Karate on YouTube. The goal was to see if viewers were interested in the concept, and for me to get some feedback. This would enable me to make a decision about what to do next. If you’ve not watched already, please take 8 minutes 25 seconds out of your day, and check it out. In three weeks the video has had about 3500 views. More importantly, comments in various Facebook groups, and direct messages to me have been very positive. It seems that many in the karate community would like to see more interviews, and that the videos, similar to the photographs in the Karate Masters Portrait Project, would be valued by others. Today is January 1st 2019. It’s a time for new beginnings. A time to dream big, and aim for the stars. After talking with my wife Yuki, I’ve made the decision to go ahead with this new project. My goal is to create a series of 10 …

Sensei – Masters of Okinawan Karate #1 Arakaki Toshimitsu

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This video is the first in a possible series of interviews with Okinawan karate masters. The sensei discuss their lives and share advice on training. The first master is Toshimitsu Arakaki, Hanshi 10th-dan, Matsubayashi-ryu Karate (Shorin-ryu). 新垣 敏光 範士十段 松林流空手 （小林流）He is the teacher of my good friend James Pankiewicz who arranged for the interview to take place. (James runs the famous Dojo Bar in Naha City, and the Asato Dojo across the street. Check them out when in Okinawa!) This pilot video is an opportunity to see if there is much interest in making this a series of videos rather than just a one off. Potentially interviews could take place with several karate masters and include more footage of them training or their everyday lives. Will all the videos be on YouTube? Yes! The idea is for the videos to be available for free on YouTube to anyone who wants to watch. Hopefully individuals, dojos, or karate organizations would be willing to help sponsor the project to make it viable, but this would only …

Koichi Nakasone 9th Dan Ryukyu Kingdom Sui-di Bujutsu

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Yesterday I made the short drive over to Nakijin Village to the home of Koichi Nakasone, 9th Dan Ryukyu Kingdom Sui-di Bujutsu. He is the 76th sensei to be photographed for the Karate Masters Portrait Project. James Pankiewicz, Becka Tedder, and I sat down for a chat in the traditional wooden house that Nakasone sensei had recently built by himself. He told us a few stories about his karate training, and the three months he spent in the USA traveling from dojo to dojo, challenging the members to fight. (Known in Japanese as dojo yaburi.) After our chat, we set up the black background on the side of the house and took the portraits. (Pentax 645Z with 90mm lens. Profoto B1 with white softlight reflector.) We then drove a couple of minutes to beautiful Nagahama Beach for some more location shots. I switched lenses to the 25mm wide-angle and removed the softlight reflector as we needed as much power as possible to try and fill in shadows. Becka held the light, while James put on his …

Karate Masters Portrait Project – Narihiro Shinjo

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Narihiro Shinjo, Uechi Ryu karate master, and younger brother of Kiyohide Shinjo. He has won the kata section of karate championships so many times, James and I are having trouble working out the exact number. Just like his brother he is fast, conditioned beyond belief, and very very strong. He is also a lovely man, and has great control, which is a relief when a foot that could probably pass through concrete flies towards your camera.