For many years I shot exclusively with the Pentax 67ii medium format film camera system. When the Pentax 645D digital medium format camera arrived I switched to shooting digital, and I’ve shot stills with the 645D and 645Z until now. The 645Z remains one of the best cameras for portrait photography. 私は長年、中判フィルムカメラシステム「PENTAX 67ii」で撮影してきました。デジタル中判カメラのペンタックス645Dが登場してからは、デジタルでの撮影に切り替え、645Dと645Zでスチルを撮影してきました。645Zは今でもポートレート写真に最適なカメラの一つです。 As a backup system I also had the excellent Pentax K-1 camera system with a 28-70 f2.8 lens. Another fantastic system for photographers. バックアップシステムとして、優れたペンタックスK-1カメラと28-70 F2.8レンズも持っていました。これも写真家にとっては素晴らしいシステムです A few years ago I also began shooting video. I started with the Sony A7Sii and then as things progressed with the Sensei: Masters of Okinawan Karate series I purchased a used Sony FS5 cinema camera. As the documentary series has continued I’ve had to purchase more Sony lenses, and in the near future will need to update both the Sony bodies to the latest models. 数年前、私はビデオ撮影も始めました。最初はソニーのA7Siiを使っていましたが、「SENSEI: MASTERS OF OKINAWAN KARATE」シリーズの制作が進むにつれ、中古のソニーFS5シネマカメラを購入しました。 ドキュメンタリーシリーズを続けていくうちに、ソニーのレンズをさらに購入しなければならなくなり、近い将来、ソニーのボディを両方とも最新モデルに更新する必要があります。 Having two completely separate systems for photography and video has created its own set of challenges in terms of storage, cost, and ultimately how much gear …
Chieko Toma is a master of Ryukyu dance. On Sunday I had the chance to photograph her performing in traditional dance costumes. The next black and white costume comes from Haebaru Town and I believe is worn for performance of the folk dances, rather than the court dances. The next outfit is the karate gi with a hakama-style piece over the lower half. This was worn to perform the go shin no mai dances of self defense. As well as a master of Ryukyu dance, Toma Sensei is a master of Goju-ryu karate, and a student under Tetsuhiro Hokama Sensei. If you look at the behind the scenes shot, and you’ve been following the Karate Masters Portrait Project since 2012, you’ll notice the change in the number of lights used to create the portrait. In all the above shots of Toma Sensei I used two lights. James is holding one Profoto B1 strobe with a white softlight reflector (AKA a beauty dish) while Toma Sensei’s granddaughter is holding a second Profoto B1 strobe with a …
Last Monday I had the opportunity to take some pics of Chinen Sensei in his organization’s Yomitan Dojo which is located inside Murasaki Mura. A beautiful location to get a few new portraits of an Okinawan master. Images shot with the Pentax 645Z and the 55mm lens. A Profoto B1 strobe with a OCF softbox was used for off camera flash to balance the interior of the dojo with the outdoors. Video shot with the Sony FS5, Atomos Shogun and Rokinon cine lenses.
Hisao Hamamoto is a master of Japanese swords. At 83 he continues to teach how to use katana and wakizashi. I first photographed Hamamoto sensei on October 1st 2011, before the Karate Masters Portrait Project began. The single-light beauty dish portrait I took of Hamamoto would become the lighting setup I’d then use for the entire series. I met up with Hamamoto sensei today at the Budokan in Naha City, to get some video of him teaching his class. Afterwards I asked to take a few location portraits at the shrine next to the Budokan. We then grabbed some lunch before heading over the Dojo Bar with James Pankiewicz to film a short interview with Hamamoto sensei. It won’t be part of the Sensei: Masters of Okinawan Karate series, but a bonus interview about his life and art. A real delight to meet him once again. Thank you to Hamamoto sensei for giving up his time, to James for helping set up the shoot and letting us conduct the interview in the Dojo Bar, and …
A great couple of Christmas dives yesterday with my buddy Hiroshi at Cape Zanpa. Rinsed the gear and now sorting through images with a pile of reference books at my side. Identifying fish is often a challenge especially when some of them such as the bullethead parrotfish change their shape, color, and even sex over the course of their lives. Trying to identify corals is even trickier, but hopefully over the years I’ll be able to better differentiate between the various sponges, sea fans, soft corals, stony corals and anemones. The featured photo is I believe a Periclimenes psamathe ( seafan shrimp) on a Muricella sp. gogorian sea fan.
Another fun workshop. Spent the morning introducing the different types of lights and modifiers used in a professional photography studio. In the afternoon we photographed our model Brianda after makeup up artist Jessica Coupar worked her magic. Little Jasmine even joined in at the end of the shoot wearing her own baby uniform. Thank you to workshop participants Tyson and Angie for managing to join us during the heaviest rain in recent history! Thank you to Jessica Coupar for makeup, and Brianda for being our model. Finally thank you to Jasmine for bravely wearing a red shirt and surviving the mission.
Here’s my latest collaboration video with Skylum Software. I take to the waters off the coast of Motobu, Okinawa to try and photograph humpback whales. Please like, share and comment on the video as it will help others find it and allow us to keep on making videos! Skylum Software just released a new update to Luminar this week so it is now faster with a few new editing options also. A big thank you to Okinawa Island Crew for letting me shoot photos and video on the boat. I much prefer whale watching from Motobu rather than Naha as the whales are located much closer to the port. The gear used in the video was the Pentax 645Z camera with the 300mm f4 lens. The tripod was a carbon fibre LEO by 3 Legged Thing, and the bag is the Whistler by Lowepro.
October 25th is Karate Day in Okinawa! Yesterday was the 100 kata event at the new Karate Kaikan in Okinawa. I was busy shooting some video so I passed the Pentax K-1 camera over to Yuki so she could take the photos. All the participants did really well undertaking the challenge, a huge thanks to James Pankiewicz for organizing, and great job Yuki with the pics!
Another impressive Expo Park Fireworks Festival on Saturday. Very glad I live just a short walk from the event so I don’t get caught in Okinawa’s longest traffic jam of the year. Shooting fireworks against a black sky doesn’t really put the event in any context. Luckily the show started at 8pm and there was still a little color in the sky for the first 5 minutes. This was when I shot the picture above showing the fireworks, Emerald Beach, and the Orion Hotel. Then as darkness enveloped us, I got a few pics of the fireworks and reflections on the ocean. However, my favorite firework photos are still the shots I took at the Miyajima fireworks festival where the floating torii gate of Itsukushima Shrine could be silhouette by explosions. Saturday’s pics were shot with the Pentax K-1 with the 24-70mm f2.8 lens. The floating torii firework images were taken with the Pentax 67II medium format film camera and Fuji Provia 100F film.
A couple of portraits from part of last month’s studio workshop where we were using soft light and black background. Thanks Allison for joining the workshop and posing for us. Camera: Pentax 645Z with 90mm lens Lighting: Profoto D2 with softlight reflector white (right) White card as a reflector (left) Profoto 7a with 2 pro heads in RFi 1×4′ softboxes (rear left and right) for rim light. Triggered with Profoto Air Remote.