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Earth Day

Today, April 22nd, is Earth Day. I just watched The 11th Hour an interesting documentary about the impact of mankind on the planet and the changes we need to make to our lifestyles.

Another documentary that is worth watching is HOME. You can see the entire movie on YouTube, so if you’ve got 90 minutes to spare, please take a look. Double click on the video below to watch it on YouTube (embedded viewing has been disabled).

Pentax 645D v Nikon D3X v Canon EOS-1 Ds Mark III

日本カメラ Nihon Camera April 2010

日本カメラ Nihon Camera April 2010

The April edition of Nihon Camera 日本カメラ includes a couple of very interesting things for Pentaxians. The first is a history of Pentax’s medium format cameras, the second is a detailed overview of the new Pentax 645D camera including a comparison of the camera with the top of the range 35mm digital cameras.

Here’s some (but not all) of the differences between the Pentax 645D, the Nikon D3X  and the Canon EOS-1 Ds Mark III.

Sensor

Pentax 645D: 44x33mm 40MP CCD

Nikon D3X: 35.9x24mm 24.5MP CMOS

Canon EOS-1 Ds Mark III: 36x24mm 21.1MP CMOS

Live View

Pentax 645D: No

Nikon D3X: Yes

Canon EOS-1 Ds Mark III: Yes

Dust Removal System

Pentax 645D: Yes

Nikon D3X: No

Canon EOS-1 Ds Mark III: Yes

Max Shutter Speed

Pentax 645D: 1/4000

Nikon D3X: 1/8000

Canon EOS-1 Ds Mark III: 1/8000

Frames per second

Pentax 645D: 1.1

Nikon D3X: 5

Canon EOS-1 Ds Mark III: 5

Memory Card

Pentax 645D: SD / SDHC cards

Nikon D3X: CF cards

Canon EOS-1 Ds Mark III: CF cards & SD / SDHC cards

Weight (body only)

Pentax 645D: 1480g

Nikon D3X: 1220g

Canon EOS-1 Ds Mark III: 1210g

Price (Japan list price / Amazon.co.jp / B&H)

Pentax 645D: ¥850,000 / ¥848,000 (10% points) / Not available

Nikon D3X: ¥830,000 / ¥740,520 /   $7,469.95

Canon EOS-1 Ds Mark III: ¥790,000 / ¥686,280 /  $6299.95

The very fact that the magazine chose to compare the Pentax 645 with 35mm digital cameras rather than other medium format cameras is interesting. Of course Pentax users with 67 and 645 lenses will be considering the 645D, but Pentax will be hoping that some of Japan’s Nikon or Canon shooters will defect and “upgrade” to the larger format.

The reality is that most Nikon and Canon shooters will probably have a large array of Nikon and Canon lenses that they want to continue using. Also brand loyalty is extremely strong in the camera world. I imagine that the auto focus for the Pentax will be much slower than its 35mm rivals. But a camera that can shoot a maximum of 1.1 frames per second is clearly not designed for sports photography.

The other big question is whether the Pentax 645D will tempt those who were considering getting a similar spec Leica S2, Hasselblad H3DII-39, or Phase One 645AF P40+ for around 3 times the price. The Pentax 67 was nicknamed Gulliver for its giant size. I have my suspicions that the photography world will nickname the 645D Godzilla as its performance will no doubt be monstrous.

Nicholas Centala at Global Gallery

Several interesting things happening in Okinawa this weekend. Ceramic artist Nicholas Centala has an exhibit at Global Gallery (Plaza House),  Kluso is playing Saturday night at Al’s Place in Okinawa City, and Erykah Badu is performing on Camp Foster Sunday night.

Just scanned this image of Nick firing up his kiln. Really happy with the shot, as it was very difficult conditions to shoot. I used a light meter to check how much light there was on his face and then asked him to stand still for a couple of seconds while I took the photograph. The heat was incredible, it was tough being so close to the flames for more than a fraction of a second. Nick came away a little singed but I think he’ll be happy with the portrait.

Potter Nick Centala Feeds his wood fired kiln

Potter Nick Centala feeds his wood-fire kiln

Island Icons – Karate Master Kiyohide Shinjo

Karate Master Kiyohide Shinjo

Karate Master Kiyohide Shinjo

Okinawan Superman

Kiyohide Shinjo is an 8th dan master of Uechi-ryu karate.

Kiyohide Shinjo was born on Ie Island in 1951. His family moved to Naha when he was five, and Kiyohide began studying karate at the age of ten from his father, Seiyu Shinjo, one of Okinawa’s karate masters. He earned his shodan (first degree black belt) at age 16, and in 1960, Kiyohide and his father opened a new dojo at Kadena Rotary.

Kiyohide Shinjo is the nine-time Okinawa Karate Champion in both kumite and kata - gaining him the nickname “the Okinawan Superman.” When his father died in 1979, Kiyohide retired from competition, undefeated, and took over the Kadena dojo.

In 2004, the dojo moved to Toguchi in Yomitan. There Kiyohide continues to inspire others with his passion for karate.

What’s your favorite technique?

“I use the toe kick. It’s one of Uechi-ryu’s iconic techniques; it’s devastatingly effective. It doesn’t matter where the blow lands, it will incapacitate the opponent leaving you in control of the encounter.” (At this point Kiyohide took a wooden beam and repeatedly slammed it against the bare toes of his foot. The wood bounced off them as if he had been wearing steel-toed boots.)

Karate is famous for being about unarmed combat, but you see some forms of karate using weapons like a bo or sai?

“That’s kobudo, another form of Okinawan combat, but the techniques you need to do kobudo are those from karate. The sai, for example, can be used to defend an attack with the centre prong running back down the forearm. The technique behind it, however, is traditional karate block.

Karate Master Kiyohide Shinjo outside his Yomitan dojo

Karate Master Kiyohide Shinjo outside his Yomitan dojo

What are the different styles of karate on Okinawa?

“There are many styles of karate, but there are only four traditional styles that have not been blended with other styles or martial arts. These four are Uechi-ryu, Goju-ryu, Shorin-ryu, and Matsubayashi-ryu .”

Have you taught Karate in other countries?

“Twice a year I go abroad to give seminars, judge competitions and check that overseas Uechi-ryu dojo’s are not diverging from the traditional Okinawan techniques. Karate is like a gayjumaru (banyan) tree with its roots based in Okinawa. Sometimes branches grow from the main trunk and it is my job to prune these outgrowths back so that Uechi-ryu remains in its pure form and is not mixed with other styles of martial arts or even gymnastics. It is my calling to make sure the traditional skills of Uechi-ryu are handed down to future generations. ”

Hollywood has many action stars, are you impressed by any?

“Most of them are just actors, not really fighters. Jackie Chan has his own unique style, but Bruce Lee was a real karate champion. He would be training constantly to stay in peak physical condition. Even now, his techniques and training methods are often discussed in karate magazines.”

Have you ever seen the karate kid movies?

“Of course. They were fun to watch, but Noriyuki ‘Pat’ Morita (the actor who played Mr. Miyagi) did have a good point that karate goes beyond the two hours you spend in the dojo. You can strive to improve your stances, breathing or strength doing everyday activities, like painting a fence or waxing a car.”

You are 8th Dan and have been studying karate for 46 years is there any more for you to learn?

“You can never achieve perfection; you just keep on training, staying fit, staying strong.”

Karate Master Kiyohide Shinjo

Karate Master Kiyohide Shinjo

(Interview first published in Okinawa Living Magazine November 2006)

Back in Okinawa

Just got back to Okinawa. An exhausting but exciting final couple of days taking photos of the Onbashira Festival in Shimosuwa, Nagano Prefecture.

Will drop off 17 rolls of 220 film  and 5 rolls of 120 film tomorrow. I’ll hopefully be able to see how successful this trip has been on Thursday.

Japan Times – Sushi Zen

Got up at 6.00 A.M. to take early morning photos of Matsuyama Castle. Grabbed a coffee and had a quick look at today’s Japan Times in the hotel lobby. In the paper there is an article about the entrance policy at Sushi Zen, it includes a few quotes from me taken during a phone interview a couple of weeks ago. I thought the piece was well written although I have to note that I didn’t stage an exhibition of my work but merely displayed two pictures as part of a group. I also learned about the situation at Sushi Zen through Facebook rather than after Japanese friends saw the sign. The actual quotes are correct and as I have said before excluding a group of people based on nationality (religion, gender, sexual orientation, ethnicity, age or any other factor) is unwarranted and does not help create the kind of tolerant society in which I want to live.

Beppu

After 5 days in Beppu I am now on the ferry to Shikoku. Beppu was better than I had expected as guidebook descriptions such as “the Las Vegas of onsen towns” conjured up a somewhat tacky image.
The Eight Hells with their bubbling sulfurus pools are by far the most comercialized aspect of the town. Gift shops were sometimes larger than the actual attractions, and some Hells had made the dubious decision to include a mini zoo.
The main focus of Beppu, however, is relaxing in the many onsen. The hotels and ryokan usually have their own baths, but I headed down to the oldest, Takegawara Onsen, for a soak on the first night. The next day I hiked for an hour up to one of the natural mud onsen on the hillside above the town, and to complete the set I was burried up to my neck in a sand bath by the beach.

Last night was the Mount Ogi Fire festival where they set the hillside ablaze. Here’s a pic from my iPhone

Island Icons – Shisa Artist Mitsuo Miyagi

Shisa Artist Mitsuo Miyagi

Shisa Artist Mitsuo Miyagi

Lion King

Mitsuo Miyagi creates plaster shîsâ. He operates his own store and gallery beside Kokusai-Street, and his designs have met with both critical acclaim and commercial success.

Mitsuo studied art at Kaiho High School on Okinawa before attending college in Kyoto. Rather than specialize in just one discipline, Mitsuo trained under several teachers to learn pottery, sculpture, papermaking, ink, and painting. At age 21, he returned to Okinawa and started creating shîsâ in his apartment. His unique designs became popular almost immediately, and soon he was overrun with too many orders and too little space. In 2001, he moved to a new studio in Onna Village from which he could create larger sculptures and paintings. On April 3, 2005, he opened his own gallery and store in Naha City, where visitors can browse his work or even create their own shîsâ.

What is a shîsâ? Is it a lion, a dog or some kind of dragon?

“Shîsâ are sometimes called lion-dogs, but I think this is only half-right. Shîsâ are based on lions, which have been used in sculptures since the Egyptian sphinx. The sphinx had the body of a lion and the face of a pharaoh. Sometimes the lions were given eagle’s wings, and this tradition continues in Europe today. (The symbol of Venice is a winged lion.) When lion sculptures became popular in China and later Okinawa, they lost their wings. Dragons meanwhile have a completely different heritage.”

What is the difference between ceramic and plaster shîsâ?

“Ceramic shîsâ are made from clay and fired in a kiln. The first plaster shîsâ were created by men who had materials left over after completing tile roofs atop homes. The used a few tiles as the core and then applied plaster to create the shîsâ. These methods are still used today.

The plaster is produced by burning crushed coral to make lime, mixing this was straw, and then letting it ferment for a month. Unlike ceramic shîsâ, the high temperature of a kiln isn’t needed. The shîsâ are constructed on the roof, and then dry naturally in the sunshine.”

Shisa painting by Mitsuo Miyagi

Shisa painting by Mitsuo Miyagi

Are shîsâ always found in pairs?

“Shuri Castle has pairs of shîsâ by its gateways. One has its mouth open; the other has its mouth closed. In the past, most regular homes had one shîsâ on the roof. However, modern houses in Okinawa are often built with a flat concrete roof and there is nowhere to put the shîsâ. So people have begun to place shîsâ on either side of the door or gate. Pairs of shîsâ are now a more common sight than a single one on a red tile roof.”

Is shîsâ design evolving?

“There are now many different styles, materials, and colors of shîsâ. It has also become popular to have shîsâ indoors as well as outdoors. They welcome people into the home and make the place look cheerful. They can be seen as pieces of art or even as lucky charms.”

Shîsâ were originally talismans. Do they still have the power to protect?

“I think it depends how the shîsâ were created. Traditional shîsâ are said to be born, not built. There are two kinds of tiles on a roof: osugawara (male) and mesugawara (female). At the apex of the roof where the two kinds of tiles meet, the shîsâ is born. When an artist makes a shîsâ, the strength and love from his hands passes into his creation. I think it is this connection that gives shîsâ the power to keep away evil spirits. Mass-produced shîsâ, however, are nothing more than colorful souvenirs.”

Shisa by Mitsuo Miyagi

Shisa by Mitsuo Miyagi

( Interview first published in Okinawa Living magazine June 2006 )

His store is located just around the corner from the Starbucks on Kokusai Street in Naha. There is pay parking on the opposite side of the road.

– I published this to my blog using the WordPress App on my iPhone. Clever stuff 🙂