A couple of portraits from part of last month’s studio workshop where we were using soft light and black background. Thanks Allison for joining the workshop and posing for us. Camera: Pentax 645Z with 90mm lens Lighting: Profoto D2 with softlight reflector white (right) White card as a reflector (left) Profoto 7a with 2 pro heads in RFi 1×4′ softboxes (rear left and right) for rim light. Triggered with Profoto Air Remote.
Yesterday I had a 1 on 1 workshop with Mina who wanted to learn some more studio photography techniques before she leaves Okinawa next month. After the dark and smokey Star Trek shots in September we decided to go clean and bright. This was a three-light setup. Two strobes were pointed at a white background, and the keylight was a Profoto D2 with a 3×4′ softbox. Large flags stopped any spill from the background lights hitting the subject. Our model was Kelley, and makeup and hair was done by Audra Presika. We first went will a beauty look that was reminiscent of Daryl Hannah in Splash. We then switched to an 80’s glamour look, that with the addition of a prop gives us some (somewhat tardy) commercial images for the Motorola Dynatac. A more up to date bit of kit was the new Profoto D2 1000W light. Unlike my Profoto B1 this is a mains powered light, so is designed for studio rather than location use. It has fast recycle times, fast flash durations, and …
Fantastic Star Trek themed Studio Fundamentals Workshop yesterday. We started talking about the differences between speedlights and studio equipment, continuous lights v strobes, monolights v power packs. When looked at the simple one-light set up I use for the Karate Masters Portrait Project then took it to the next level with some indoor rain and a fisherman’s sou’wester. In the afternoon we worked up to a 4-light setup, and even used a bit of smoke for good measure. A super fun day filled with friends, coffee, cakes and the occasional flash of brilliance. Happy 50th Birthday Star Trek! Live long and prosper. Learn more about our workshops by clicking on the workshops tab.
Another fun shoot testing out the Pentax K-1 and the 28-105 lens in the studio. Thanks to Amelia for modeling and makeup. Great working with you.
Studio shoot with model Samantha Armistead. 3 different looks: business, beauty and street. Makeup and hair by Audra Pesicka. Shot using the Pentax 645Z and K-1. Lighting: Beauty dish camera right, Softbox camera left for fill. Two rectangular softboxes behind the model for edge lighting. Really pleased with the images, Sam has a fantastic look and was a pleasure to work with. Audra was a real professional, quickly creating 3 different looks that transitioned from one to the other. For more information on model portfolio sessions. Click here!
A couple more shots from my studio shoot with Joseph. When shooting a client whose musculature is so defined, you can use light to really show off the amazing anatomy of the body.
Yuki runs a multi-billion dollar fashion business, but in secret also designs superhero costumes for The Wild Bunch. She insists on no capes. Model – Yuki Lynn Lukasiak Makeup Artist -Summer Johnson
A couple of images from a fun retro shoot with Jovanna. Makeup by Audriana Danielle. Styling by Jovanna Flor.
A few images from a portfolio shoot with model Michelle Santos. Michelle heads back to Brazil having spent several years in Japan. She wanted some new images in her book so that’s what we did. I’d like to thank Summer Johnson and Aiasha Orick-Fleurantin for their work on makeup and hair, and Michelle for being able to pull off so many different looks in a short time.
Another couple of images from the studio. Thanks to both the model Adriesa Kane and makeup artist Summer Johnson. Of interest to photographers is that I used an extra light in this setup. As well as the beauty dish above my right shoulder and the rim lights behind each shoulder of the model I also added a medium softbox as fill at my feet. This gives a flatter, less moody look to the shots when you don’t want such intense shadows on the model’s face. It also adds light to the lower part of the body reducing the spotlight effect of a gridded beauty dish. The catchlights in the eyes also change, with reflections from both the beauty dish (donut shape) and softbox (rectangle shape).