Right outside the west entrance to the Shinjuku railway station was a homeless man. He wasn’t begging, just sitting there watching the thousands of commuters flow past him.
Latest Posts
Natsumi & J.P. Engagement Shoot
The light painting course finished at around 1AM on the Sunday morning. 5 hours later I was back at the beach for an early morning engagement shoot with Natsumi and J.P.
Natsumi and I had already chatted about the look she wanted for the photographs. It allowed us to make decisions on what they were going to wear and how I would shoot. I decided on using natural light with reflectors. The final images are all very similar to how they looked in camera. I had originally thought I would give the following images an Abercrombie style sepia tint in Photoshop, but the cool blues of the sky and ocean would have lost their magic. I also consciously kept the images bright, aiming to give them a certain freshness and vitality.
Both Natsumi and J.P. were relaxed in front of the camera, and it wasn’t long until they had forgotten about posing and were just enjoying hanging out at the beach.
All in all, a great shoot with a lovely couple. Congratulations to you both 🙂
Night Fever – Fantastic Light Painting Workshop
It’s been a busy few weeks. Last weekend was the Light Painting Workshop with guest instructor Trevor Williams. It was a fantastic course, everyone learned a lot, and each of the students produced some amazing images. Here are just of few of things we created.
Thanks to all the participants who made this such a great weekend, and of course to Trevor for flying down from Okayama for the weekend. If you missed this course, Trevor’s next weekend workshop will be in Vancouver this August and then hopefully we can get him back to Okinawa sometime in 2012.
Love & Hope part III – Exhibition Begins
Ricoh Buys The Pentax Imaging Systems Division from Hoya
Love & Hope part III – Pentax Forum Gallery I & II
Part III of the Pentax Love & Hope exhibition will take place July 6th to 18th at the Pentax Forum Galleries I & II. I’m going to fly up to see the last weekend of the exhibit. Will be cool to see one of my photographs, printed so large, hanging on the wall.
On the bookshelf – Seal Team Six
Having recently read With the Old Breed by E. B. Sledge, I didn’t expect the next book on my reading list to be another military autobiography. I blogged about With the Old Breed because it is describes Sledge’s experiences fighting and trying to survive through the battle of Okinawa. I heartily recommend it to anyone who has lived in Okinawa, or has any interest in what happens to young men when they are thrown into what Sledge describes as hell on earth.
The book I just finished is SEAL Team Six: Memoirs of an Elite Navy SEAL Sniper. I had followed the progress of this book for a while, because one of its co-authors Stephen Templin is a friend of mine. In fact, he’s the guy in the aikido shoot I did a couple of months ago. Little did we know, that days later the members of Seal Team Six would kill Osama Bin Laden. Suddenly, just a week before it’s release date, the book got the kind of publicity that normally is reserved for Harry Potter. Howard Wasdin (the author and subject) was flown around the country for newspaper, radio and television interviews. Each time I saw Stephen he was looking more haggered, having been up all night doing similar interviews over the phone, or getting news that the rights to publish the book had been sold in countries X, Y and Z, and that the movie rights have been sold (Vin Diesel is signed up to play the lead). The book went from obscurity to a bestseller, and eventually I got a copy.
Seal Team Six was an interesting read. In summary, it is about the forging of a warrior. What it takes to make a person physically and mentally able to put themselves in, and survive, situations that are far beyond the limits of normality. The physical aspects of training were tough, but it was the psychological conditioning that I found the most fascinating and perhaps disturbing.
In Mogadishu it was years of practice that allowed Wasdin to accurately shoot a man with a rocket propelled grenade launcher before the Somali took down a friendly helicopter. The fact that they were 846 yards apart is a testament to just how good Wasdin was at his job.
It was, however, an entire life of brutal hardship and mental preparation that gave him the ability to continue operating having been shot first in the left knee, then in the right shin, and finally in the left ankle. There were the beatings as a child, and then the hardships of various versions of hell week during training. Mentally he felt he could do anything, that he could handle any situation thrown at him, and he would do it all wrapped in a cloak of confidence (or arrogance) that comes from believing you are in the greatest military team, in the greatest branch of the armed forces in the greatest country on earth. In his own words after being shot:
“I still felt superior as a SEAL Team Six sniper – Howard Wasdin”
These feelings of superiority, indestructibility, and at times righteous indignation can, and did, cause problems. From a tactical point of view it can easily lead you to underestimate the enemy (as was the case in Mogadishu) or be unable to deal effectively with those outside of your inner circle (including other special forces teams, conventional soldiers, government, and the police.)
The final chapters talk about his life after leaving the SEALs. This deals with the process of physical rehabilitation and the mental struggles to deal with the world as a civilian. It’s a happy ending though as he eventually remarries, and begins a career as a chiropractor.
Living on Okinawa I have friends both American and Japanese who are either active or retired military. Books like these give me a glimpse into what their lives are like.
F.A.Q.s – Shutter Release Cables
I’ve had a couple of questions about shutter release cables for the Light Painting Workshop. You’ll need to get a remote which works with your particular model (not just brand) of camera.
Pentax
I currently have the Pentax Waterproof Remote Control O-RC1 It does the job when you’d like to reduce camera shake by not having to touch the camera to fire the shutter. In bulb mode you can press it once to open the shutter and once more to close the shutter. Another option for Pentax users would be a Pentax Electronic Cable Switch
.
For other brands of cameras, Trevor came up with this quick list of possible shutter releases.
Canon
For 10D,20D,30D,40D,50D,5D,1D.
RS-80N3 Remote Control for EOS 1Ds Mark II, EOS 1D Mark II N, EOS 30D, EOS-1v, and EOS-3
For Kiss series and 60D
Canon Remote Switch RS60 E3
Trevor wrote a blog about canon remotes here:
http://fiz-iks.blogspot.com/2011/05/canon-tc-80n3-mod.html
Nikon
Nikon MC-30 Remote Release Cord for Nikon D300, D200, D100, D3,
NIKON MC30 Remote Cable Release (31.5 in)
Nikon MC-DC2 Remote Release Cord for D90, D5000 and D7000 Digital SLRs
Nikon MC-DC2 Remote Release Cord for Nikon Digital SLR Cameras
Nikon MC-DC1 Remote Cord for Nikon D70S & D80 Digital SLR Cameras
Nikon MC-DC1 Remote Cord for Nikon D70S & D80 Digital SLR Cameras
Other options
All the above releases are made by the same companies as the camera, and available on Amazon.
If you are looking to save some money (or in some cases a lot of money) then another friend of mine, Pete,swears by Linkdelight. This photo accessory company is based in Shenzhen, China and sells no name versions of equipment at a fraction of the cost. Pete says most stuff is just as reliable as his branded gear. I have yet to try them out, but did like the look of this timer remote which should work with my 645D. At 20 bucks it’s probably worth trying out.
On Location – Cowgirl Cotton
An early morning shoot with Cotton Williams building her model portfolio before she moves back to the States next month.
A big thanks to Rocky the horse and Eve the trainer from Mihara Horse Club for all their help.
Tilt-Shift on Screen
Several times over the last few months I’ve seen TV shows, movies and even advertisements that have been shot, at least in part with a tilt-shift lens. I presume this has something to do with the Canon 5D mark II revolution that brought a photographer’s wide range of high quality optics into the cinematographer’s playground.
So what is a tilt-shift lens? A lens that is able to rotate the optics of the lens relative to the film / sensor plane (tilt) or move the optics up or down relative to the film / sensor plane (shift). These “movements” are usually done to control the plane of focus (tilt) or correct converging lines (shift). Landscape photographers might tilt a lens to increase the depth of field in the image ensuring front to back focus. Tilting the lens in the opposite direction creates an unusually narrow field of focus. This gives the effect of miniaturization. It was used to shrink London for the recent BBC drama Sherlock, and New York in the opening sequence for Gulliver’s Travels. Today I saw it used to transform a rally car into a toy.
Anyone else spotting the tilt-shift phenomenon appearing on their screens.
























