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On the bookshelf – Seal Team Six

Having recently read With the Old Breed by E. B. Sledge, I didn’t expect the next book on my reading list to be another military autobiography. I blogged about With the Old Breed because it is describes Sledge’s experiences fighting and trying to survive through the battle of Okinawa. I heartily recommend it to anyone who has lived in Okinawa, or has any interest in what happens to young men when they are thrown into what Sledge describes as hell on earth.

The book I just finished is SEAL Team Six: Memoirs of an Elite Navy SEAL Sniper. I had followed the progress of this book for a while, because one of its co-authors Stephen Templin is a friend of mine.  In fact, he’s the guy in the aikido shoot I did a couple of months ago. Little did we know, that days later the members of Seal Team Six would kill Osama Bin Laden. Suddenly, just a week before it’s release date,  the book got the kind of publicity that normally is reserved for Harry Potter. Howard Wasdin (the author and subject) was flown around the country for newspaper, radio and television interviews. Each time I saw Stephen he was looking more haggered, having been up all night doing similar interviews over the phone, or getting news that the rights to publish the book had been sold in countries X, Y and Z, and that the movie rights have been sold (Vin Diesel is signed up to play the lead). The book went from obscurity to a bestseller, and  eventually I got a copy.

Seal Team Six by Wasdin & Templin

Seal Team Six by Wasdin & Templin

Seal Team Six was an interesting read. In summary, it is about the forging of a warrior. What it takes to make a person physically and mentally  able to put themselves in, and survive, situations that are far beyond the limits of normality. The physical aspects of training were tough, but it was the psychological conditioning that I found the most fascinating and perhaps disturbing.

In Mogadishu it was years of practice that allowed Wasdin to accurately shoot a man with a rocket propelled grenade launcher before the Somali took down a friendly helicopter. The fact that they were 846 yards apart is a testament to just how good Wasdin was at his job.

It was, however, an entire life of brutal hardship and mental preparation that gave him the ability to continue operating having been shot first in the left knee, then in the right shin, and finally in the left ankle. There were the beatings as a child, and then the hardships of various versions of hell week during training. Mentally he felt he could do anything, that he could handle any situation thrown at him, and he would do it all wrapped in a cloak of confidence (or arrogance) that comes from believing you are in the greatest military team, in the greatest branch of the armed forces in the greatest country on earth. In his own words after being shot:

“I still felt superior as a SEAL Team Six sniper – Howard Wasdin”

These feelings of superiority, indestructibility, and at times righteous indignation can, and did, cause problems. From a tactical point of view it can easily lead you to underestimate the enemy (as was the case in Mogadishu) or be unable to deal effectively with those outside of your inner circle (including other special forces teams, conventional soldiers, government, and the police.)

The final chapters talk about his life after leaving the SEALs. This deals with the process of  physical rehabilitation and the mental struggles to deal with the world as a civilian. It’s a happy ending though as he eventually remarries, and begins a career as a chiropractor.

Living on Okinawa I have friends both American and Japanese who are either active or retired military. Books like these give me a glimpse into what their lives are like.

F.A.Q.s – Shutter Release Cables

I’ve had a couple of questions about shutter release cables for the Light Painting Workshop. You’ll need to get a remote which works with your particular model (not just brand) of camera.

Pentax
I currently have the Pentax Waterproof Remote Control O-RC1 It does the job when you’d like to reduce camera shake by not having to touch the camera to fire the shutter. In bulb mode you can press it once to open the shutter and once more to close the shutter. Another option for Pentax users would be a Pentax Electronic Cable Switch.

Pentax Waterproof Remote Control O-RC1

Pentax Waterproof Remote Control O-RC1

For other brands of cameras, Trevor came up with this quick list of possible shutter releases.

Canon
For 10D,20D,30D,40D,50D,5D,1D.
RS-80N3 Remote Control for EOS 1Ds Mark II, EOS 1D Mark II N, EOS 30D, EOS-1v, and EOS-3

For Kiss series and 60D
Canon Remote Switch RS60 E3

Trevor wrote a blog about canon remotes here:
http://fiz-iks.blogspot.com/2011/05/canon-tc-80n3-mod.html

Nikon
Nikon MC-30 Remote Release Cord for Nikon D300, D200, D100, D3,
NIKON MC30 Remote Cable Release (31.5 in)

Nikon MC-DC2 Remote Release Cord for D90, D5000 and D7000 Digital SLRs
Nikon MC-DC2 Remote Release Cord for Nikon Digital SLR Cameras

Nikon MC-DC1 Remote Cord for Nikon D70S & D80 Digital SLR Cameras
Nikon MC-DC1 Remote Cord for Nikon D70S & D80 Digital SLR Cameras

Other options

All the above releases are made by the same companies as the camera, and available on Amazon.

If you are looking to save some money (or in some cases a lot of money) then another friend of mine, Pete,swears by Linkdelight. This photo accessory company is based in Shenzhen, China and sells no name versions of equipment at a fraction of the cost. Pete says most stuff is just as reliable as his branded gear. I have yet to try them out, but did like the look of this timer remote which should work with my 645D. At 20 bucks it’s probably worth trying out.

Tilt-Shift on Screen

Several times over the last few months I’ve seen TV shows, movies and even advertisements that have been shot, at least in part with a tilt-shift lens. I presume this has something to do with the Canon 5D mark II revolution that brought a photographer’s wide range of high quality optics into the cinematographer’s playground.

So what is a tilt-shift lens?  A lens that is able to  rotate the optics of the lens relative to the film / sensor plane (tilt) or  move the optics up or down relative to the film / sensor plane (shift). These “movements” are  usually done to control the plane of focus (tilt) or correct converging lines (shift). Landscape photographers might tilt a lens to increase the depth of field in the image ensuring front to back focus. Tilting the lens in the opposite direction creates an unusually narrow field of focus. This gives the effect of miniaturization.  It was used to shrink London for the recent BBC drama Sherlock, and  New York in the opening sequence for Gulliver’s Travels. Today I saw it used to transform a rally car into a toy.

Anyone else spotting the tilt-shift phenomenon appearing on their screens.

June 16th 2011 Lunar Eclipse – Okinawa, Japan

July 16th 2011 Lunar Eclipse - Okinawa, Japan

July 16th 2011 Lunar Eclipse - Okinawa, Japan

Got up at 3.30AM and drove over to Cape Maeda to watch the Lunar Eclipse. My plan was to photograph the moon reflected in the ocean as it neared the horizon, but this wasn’t possible due to clouds on the horizon.

The image above is not a particularly interesting shot, (nothing to put the moon in context) but is a decent enough snapshot to remember the event. I was pleased that most of the sky was clear  so I could at least witness the lunar eclipse. This is in contrast to the  solar eclipse a few years ago when, having travelled all the way to Yakushima to be in the zone of totality, we spent the entire day under a thick layer of rain clouds.

Love & Hope Exhibition Begins

Love & Hope Part 1 - Pentax Forum Gallery II, Shinjuku, Tokyo

Love & Hope Part 1 - Pentax Forum Gallery II, Shinjuku, Tokyo

Love & Hope Part 1 - Pentax Forum Gallery II, Shinjuku, Tokyo

Love & Hope Part 1 - Pentax Forum Gallery II, Shinjuku, Tokyo

Love & Hope Part 1 - Pentax Forum Gallery II, Shinjuku, Tokyo

Love & Hope Part 1 - Pentax Forum Gallery II, Shinjuku, Tokyo

Love & Hope Part 1 - Pentax Forum Gallery II, Shinjuku, Tokyo

Pentax just sent me a few pics of the exhibition. I’m going to head up to Tokyo for the July 16-18 long weekend so I’ll get to see my image in Love & Hope part III.

Really like the look of the new gallery, hopefully I’ll have a solo exhibition there in the not too distant future.

Love & Hope – Pentax Forum Gallery II, Shinjuku, Tokyo

Love & Hope -  645D exhibition -  Pentax Forum Gallery II

Love & Hope - 645D exhibition - Pentax Forum Gallery II

A set of postcards just arrived at my house promoting the new exhibition at the Pentax Gallery.

Nice to see my name on there in the bottom right, and just as impressive is that they have spelt Willson correctly with two ls.

It may be difficult to see, but the small camera icon in the center reads “Camera GP Japan 2011 – Camera of The Year” which is fantastic news for Pentax. Last month the 645D won the Best Professional DSLR award from the Technical Image Press Association (TIPA). Not bad for a camera that most people thought would never get beyond the prototype stage.

I hope to get to the exhibition, but most likely it will be for part III when the part I prints are put on display again along with some other images. I’m aiming for the long weekend of July 16/17/18 but will see what happens.

Typhoon Songda – A blustery night.

Another one bites the dust.

Typhoon Songda has come and gone leaving Okinawa a little worse for wear. There was the usual cull of trees and antennas that were two weak or inflexible to survive the 100 mph plus winds. Power went off at my house from 10PM until about 4AM but luckily I have a wide range of dive torches and bicycle lights.

A big tree in next door’s garden didn’t make it through the night, but thankfully it also didn’t make it across the road and onto my car. (Which reminds me, always wash your car after a typhoon to prevent the new layer of sea salt sending your vehicle to an early, and rusty, grave.)