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Suzuki on the beach.

I’d been planning to take this shot for about a year, but kept on being distracted by other things. Drove car on to a deserted Okinawan beach in the middle of the day. Took some photos, drove home.

 Suzuki Swift Sport Beach

Sunbathing Suzuki (645D with Pentax-FA 645 35mm)

I shot this with a wide angle Pentax-FA 645 35mm. The lens is exceptionally sharp and is thought by some as the best medium format lens available. I’ll be shooting a lot more with this lens over the following month. Glad to have it in my camera bag as I was really missing a wide angle on my last trip.

Surfer-Boy / Skater-Boy

Matt the father of Alec, is a keen surfer and skater so he brought along a few props to the newborn shoot with Anya Schmidt.

Before worried readers point out potential dangers, we were still in the same warm room next to the parents, and the wood with peeling paint is a surprisingly realistic bit of fake flooring.  The result was some fun, and unique newborn baby images.

Surfer-Boy Alec

Surfer-Boy Alec

Skater-Boy Alec

Skater-Boy Alec

Thanks again to Alec, his parents, and Anya for letting me be a part of their day.

Newborn photo shoot.

Next month my sister is having a baby. Wonderful news for everyone, and I hope to make it over to the UK sometime this winter to see my new nephew / niece. I’ll bring my camera along, but to be honest I haven’t photographed many babies. I mentioned this to some of the other photographers on Okinawa, and Anya Schmidt invited me to assist on her latest newborn shoot.

The first thing I learned is that newborn shoots are done when the baby is very young. We were photographing Alec at 14 days, and I was told this was quite old!

The second thing I learned is that the baby controls the shoot. As most newborn images are created while the baby is asleep, you have to wait patiently in a very warm room until the baby sleeps. A newborn photographer is a bit like a horse whisperer trying to relax the baby and parents, before trying to get the shots.

The third thing I learned is that if you are photographing naked babies, your equipment faces an unusual set of hazards. Little Alec tried his hardest to pee on Anya’s Canon 5D Mark II and 85mm f/1.2 lens, but settled on just dousing everything else.

Here are a few shots from the day.

Newborn photo shoot: Baby Alec

Newborn photo shoot: Baby Alec

Newborn photo shoot: Baby Alec

Newborn photo shoot: Baby Alec

Newborn photo shoot: Baby Alec

Newborn photo shoot: Baby Alec

A huge thanks to Anya for allowing me to watch her work, and of course to Alec and his parents for allowing me to attend their portrait session.

You can see more of Anya’s work on her website .

Annie Leibovitz, Sean Connery, Louis Vuitton

I saw the following clip on You Tube showing a little behind the scenes action of Annie Leibovitz working on an advertising campaign for Louis Vuitton.

It’s very short, but still interesting to see the gear she is using: umbrella with diffuser for light, PocketWizard trigger, fan, speed boat in the background, movie icon (and movie icon’s private beach).

And here’s the shot used in magazines.

Image copyright Louis Vuitton / Annie Leibovitz

Also interesting to note how stickers vanished from the bag in the final image. (You’ll have to watch it again now!)

F.A.Q. How big are the files from the Pentax 645D?

Pentax 645D file sizes

Pentax 645D file sizes (Screen capture from Adobe Bridge)

The file sizes produced by the Pentax 645D are around 15 MB  for JPEG files, 50 MB for DNG files, and a massive 225 MB for a 16bit TIFF image.

As I said in a previous post this means you will fill up memory cards and hard disk space quickly.

Also it means that you need a computer capable of some heavy lifting if you are going to start processing those files in Photoshop. A 225 MB TIFF image is huge, but if you start working with layers, you could easily be dealing with a file over 1GB .

Digital Discovery #11

I had never really used Adobe Bridge until I started shooting with the 645D.

With film the process of selecting images is done on the light table. Only the best images are scanned, catalogued, filed, and stored. Once scanned I would open the images in Photoshop.

With digital it’s quite easy to get overwhelmed by the sheer number of images, but Adobe Bridge seems to be a good way of organizing things. I can use it as a light box to quickly delete the junk, then sort by quality using the rating system. Once this is done I can then open up the raw files of the best images in Photoshop.

Kayaking in Okinawa

Last weekend I did a little bit of location scouting with Norwegian photographer Heiko Junge. Shot with both the 645D and the 67II. Put all the gear in a Pelican case so I could wade across the river.

Lab testing Pelican case with 645D and 67 gear

Lab testing Pelican case with 645D and 67 gear

Kayaking in Okinawa (1)

Kayaking in Okinawa (1)

Kayaking in Okinawa (2)

Kayaking in Okinawa (2)

Digital Discovery #10

Not really a discovery, but…

The images from the 645D are now on the blog. The film from the Pentax 67II is currently on the way to Fukuoka for processing. Will get it back next week. After scanning the film I will post the images. Of course, the usage of my images extends beyond 470 pixels wide on my blog, but it is a clear reminder of the increase in speed using a digital workflow.

Need more space

1TB internal hard disk for Mac Pro

1TB internal hard disk for Mac Pro

Digital Discovery #9

If your camera produces large files,  you are quickly going to fill up both memory cards and hard disk space.

Returning from my latest trip I had two full 32GB cards. It was clear  that soon I would need more storage in my computer.

Just ordered an 1TB internal hard disk for the Mac Pro. This will automatically back up along with the other hard disks via time machine. I’m also going to have to consider having an off-site back up of data.

The joys of data management!

August 15th, Yasukuni Shrine, Tokyo

This is the final series of images I shot on my latest trip to mainland Japan.

August 15th is the anniversary of Japan’s surrender at the end of WWII. On this day, several thousand Japanese come to Yasukuni Shrine to pray for those Japanese soldiers who died in battle. At 10AM doves are released and there are prayers for peace. There are one or two WWII veterans in uniform, and surprisingly some younger men dressed in military uniforms / costumes.

But things are a little more complex. The shrine is believed to hold the spirits of dead soldiers, and that with enshrinement comes absolution of all sins. The problem is that Japanese war criminals were also enshrined at Yasakuni. The presence of these spirits has led to  international controversy over whether Japanese politicians should pray at the shrine. 2010 was the first time in 25 years that no members of the Japanese cabinet attended.

This controversy has made Yasukuni Shrine, and in particular the August 15th anniversary, a place for protest by the more extreme ends of the political spectrum.

Arriving at the subway station I saw the first of the riot police. On the street, the big black buses of the extreme-right were circling with speakers blaring out their own special blend of intolerance. Uniformed police, riot police and plain-clothed police were everywhere. By late afternoon the right-wing supporters gathered just outside the shrine waving flags and shouting. They were waiting for the far-left to parade past, and the police were there to keep the two groups apart. When the far-left marchers appeared, police blocked the roads and shepherded the marchers past the far-right protestors. There were a few scuffles, but it seemed to be more about shouting and theatrics than violence.

Normally I only put up two or three images with each post, but for this one I thought I needed to show an entire series.

August 15th 2010, Yasakuni Shrine (1)

August 15th 2010, Yasukuni Shrine (1)

August 15th 2010, Yasakuni Shrine (2)

August 15th 2010, Yasukuni Shrine (2)

August 15th 2010, Yasakuni Shrine (3)

August 15th 2010, Yasukuni Shrine (3)

August 15th 2010, Yasakuni Shrine (4)

August 15th 2010, Yasukuni Shrine (4)

August 15th 2010, Yasakuni Shrine (5)

August 15th 2010, Yasukuni Shrine (5)

August 15th 2010, Yasakuni Shrine (6)

August 15th 2010, Yasukuni Shrine (6)

August 15th 2010, Yasakuni Shrine (7)

August 15th 2010, Yasukuni Shrine (7)

August 15th 2010, Yasakuni Shrine (8)

August 15th 2010, Yasukuni Shrine (8)

August 15th 2010, Yasakuni Shrine (9)

August 15th 2010, Yasukuni Shrine (9)

August 15th 2010, Yasakuni Shrine (10)

August 15th 2010, Yasukuni Shrine (10)

August 15th 2010, Yasakuni Shrine (11)

August 15th 2010, Yasukuni Shrine (11)

August 15th 2010, Yasakuni Shrine (12)

August 15th 2010, Yasukuni Shrine (12)

August 15th 2010, Yasakuni Shrine (13)

August 15th 2010, Yasukuni Shrine (13)

August 15th 2010, Yasakuni Shrine (14)

August 15th 2010, Yasukuni Shrine (14)

August 15th 2010, Yasakuni Shrine (15)

August 15th 2010, Yasukuni Shrine (15)

A few words of warning:

This is not a festival. I do not recommend turning up to witness the spectacle. I shot the event in the same way I have always worked. I talked to people (in broken Japanese) asked to take their photo and got in close.  Nearly everyone I met was polite and friendly, they included an old lady who held my hand and talked about Hiroshima, an undercover policeman, a member of the far right with  a swastika on his arm, and a WWII veteran.  However. things can, and did, change quickly. After I’d left, my friend, and fellow photographer, Damon Coulter had far-right supporters trying to  punch and hit him over the head with the Japanese flag while he was taking photographs. You can read his account of the day here.

My day at Yasukuni was an interesting experience, unlike anything else I’ve photographed in Japan. Personally, my photography tends to focus on the beauty and charm of  places or  people rather than search out the grittiness at the extremes.

It was time to pack up my gear, and fly back to Okinawa.

Shinjuku Shoot – Charissa

So here’s the plan…

I enjoy shooting models in the studio against a plain background. I enjoy photographing iconic locations in Japan. Now if you combined the two, and perhaps added a little off-camera flash, then hopefully you can create some interesting imagery.

The set up…

Model: Charissa Littlejohn     Makeup: Jaylene Wu     Camera: 645D with 55mm lens Strobe: Pentax AF400T triggered by PocketWizard Location: East Shinjuku, Tokyo

The images…

Shinjuku Fashion Shoot (1)

Shinjuku Fashion Shoot (1)

Shinjuku Fashion Shoot (2)

Shinjuku Fashion Shoot (2)

Shinjuku Fashion Shoot (3)

Shinjuku Fashion Shoot (3)

Shinjuku Fashion Shoot (4)

Shinjuku Fashion Shoot (4)

I’ve put slightly larger versions of the four images on Flickr.

I’d be interested to hear which you prefer of the four images. Charissa loves number 4, but I think shot number 2 is my favorite.